La estrategia de Chopin: modos fractales, reticulares y fragmentarios de escritura narrativa en español de finales del XX y principios del XXI
The plethora of narrative works in Spanish in the last thirty years with fragmentary, reticular or “fractal” techniques, some of them written by some of the most important authors and novelists, forces us to find an explanation of this proliferation and diversity of literary strategies. Although fra...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2021 |
| País: | España |
| Institución: | Universidad de Navarra |
| Repositorio: | Dadun. Depósito Académico Digital de la Universidad de Navarra |
| Idioma: | español |
| OAI Identifier: | oai:dadun.unav.edu:10171/63962 |
| Acceso en línea: | https://hdl.handle.net/10171/63962 |
| Access Level: | acceso abierto |
| Palabra clave: | Fragmentación Narrativa contemporánea en español Fractalidad Novela española |
| Sumario: | The plethora of narrative works in Spanish in the last thirty years with fragmentary, reticular or “fractal” techniques, some of them written by some of the most important authors and novelists, forces us to find an explanation of this proliferation and diversity of literary strategies. Although fragmentary structure is not a novelty, but a tradition, it is obvious and demonstrable that the number of fragmentary works has increased exponentially in the last decades, and this fact requires analysis in depth. Criticized as a practice in the late 90’s by some noted peninsular critics, and with contemporary reluctant dissidents, after this analysis it will seem reasonable to argue that the number and importance of writers that used fragmentation –sporadically or consistently– invite to a more generous and stable validation of these narrative strategies. |
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