El retrato: simbolismo, emocionalidad y subjetividad en la pintura el dibujo y el cine

[EN] With this project we present an unprecedented artistic production accompanied by a theoreti - cal reflection, both the results and the processes of realization. This is a personal plastic proposal that has the emotional and symbolic portrait its main theme. Through a remote pictorial language f...

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Detalles Bibliográficos
Autor: Nácher Sánchez, Pilar
Tipo de recurso: tesis de maestría
Fecha de publicación:2016
País:España
Institución:Universitat Politècnica de València (UPV)
Repositorio:RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
Idioma:español
OAI Identifier:oai:riunet.upv.es:10251/75551
Acceso en línea:https://riunet.upv.es/handle/10251/75551
Access Level:acceso abierto
Palabra clave:Retrato
Pintura
Dibujo
Fantasía
Hibridación
Reconstrucción
PINTURA
Máster Universitario en Producción Artística-Màster Universitari en Producció Artística
Descripción
Sumario:[EN] With this project we present an unprecedented artistic production accompanied by a theoreti - cal reflection, both the results and the processes of realization. This is a personal plastic proposal that has the emotional and symbolic portrait its main theme. Through a remote pictorial language formally strict objectivity, we intend to establi - sh a connection between the immediacy that provides graphics and versatility offered by the painting process. Our approach to portraiture is to establish a network of emotions, fantasies, dreams and expe - riences with which recognize the portrait subject, while we project on him their own emotio - nal imagination. We rely therefore on the nearest and everyday environment. When selecting our models, we start from a familiar environment to perform work with a strong symbolic component.