ANIMATED SERIES IN THE 90S, BETWEEN PROCEDURAL SERIES AND SERIAL : Format and Possible World of Spider-Man (1994-1998)
The first contribution of the article is the delimitation of the fictional format of an animated series, Spider-Man (1994-1998), a procedural series with serial aspects. The second innovation is methodological, since it adds to the study of the format the mimesis of the world, the object of study of...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2024 |
| País: | España |
| Institución: | Universidad Francisco de Vitoria |
| Repositorio: | DDFV. Repositorio Institucional de la Universidad Francisco de Vitoria |
| Idioma: | inglés |
| OAI Identifier: | oai:ddfv.ufv.es:10641/7000 |
| Acceso en línea: | https://hdl.handle.net/10641/7000 |
| Access Level: | acceso abierto |
| Palabra clave: | Animation Fiction Format Hermeneutics Possible Worlds Procedural Series Serial Spider-Man Cultural Studies Communication Visual Arts and Performing Arts Yes yes |
| Sumario: | The first contribution of the article is the delimitation of the fictional format of an animated series, Spider-Man (1994-1998), a procedural series with serial aspects. The second innovation is methodological, since it adds to the study of the format the mimesis of the world, the object of study of the hermeneutics of possible worlds. In this way, it is understood that the recurring narrative elements in a series not only respond to production factors, but also constitute the regularities that suggest the order and meaning of both the socially instituted world in the plot and the personal world of the protagonist. |
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