Los retratos de la autora: el caso de Ángela Figuera Aymerich
The proliferation over the last few years of studies around the question of the author, with the research of specialists such as Nathalie Heinich, Dominique Maingueneau, José-Luis Diaz or Jérôme Meizoz at the forefront, has opened a new perspective for the analysis of the iconographic elements that...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2020 |
| País: | España |
| Institución: | Universidad de Navarra |
| Repositorio: | Dadun. Depósito Académico Digital de la Universidad de Navarra |
| Idioma: | español |
| OAI Identifier: | oai:dadun.unav.edu:10171/61842 |
| Acceso en línea: | https://hdl.handle.net/10171/61842 |
| Access Level: | acceso abierto |
| Palabra clave: | Literatura española Estudios culturales Estudios de género Autoría Poesía española de posguerra Ángela Figuera Aymerich |
| Sumario: | The proliferation over the last few years of studies around the question of the author, with the research of specialists such as Nathalie Heinich, Dominique Maingueneau, José-Luis Diaz or Jérôme Meizoz at the forefront, has opened a new perspective for the analysis of the iconographic elements that identify the author in the media regime. That enables us to comprehend these as one of the most important tools that guarantee the visibility of the author in the literary field. However, despite the increasing number of research work, there has not been an advance in the study of the tension between gender and authoriality through the analysis of the portraits of women writers. This article recurs both to this new critical paradigm and to feminist literary theory in order to study some of the photographs of the poet Ángela Figuera Aymerich (Bilbao 1902-Madrid 1984) as part of a process of representation as a woman and an author in the Spain of the fifties. The study of three representative portraits show that the meaning of each image is not univocal but vary from the editorial space in which the photographic element is placed (the press, the books or poetic anthologies) and the discourses that surround the paratext. |
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