La ironía persistente. Duchamp, el ¿Buda del baño¿ y otras exquisiteces.
[EN] This article shows a journey through the artistic strategies that led Duchamp to choose The Fountain (1917) as a principle of insurrection that is still part of the artistic discussion today. By means of a hermeneutical approach to his epistolary writings and interviews, and adding the interpre...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2021 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/186864 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/186864 |
| Access Level: | acceso abierto |
| Palabra clave: | Duchamp La Fuente Cotidiano Objeto talismán Ready-made DIBUJO |
| Sumario: | [EN] This article shows a journey through the artistic strategies that led Duchamp to choose The Fountain (1917) as a principle of insurrection that is still part of the artistic discussion today. By means of a hermeneutical approach to his epistolary writings and interviews, and adding the interpretive power of critical texts in this regard, it is intended to expose his ironic games through the ambiguities arranged in the choice of any thing as a work of art. Thus, knowing the pleasure that the ambivalences provoked in Duchamp, we will delve into the associative capacities that the urinal assumes, despite the repeated insistence of the artist himself on his aesthetic anesthesia to visualize him as a ¿talismanic object¿ that vindicates the everyday. |
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