Otras fuentes grabadas utilizadas por Francisco de Zurbarán
[EN] We present new engraved sources applied by Francisco de Zurbarán to coiupose some of his most important works. Together with engravings by Durero, Philippe Gaile, Tempesta and Sadeler, is speciaüy significant the employenent of XVI cenatury Florentine woodcuts, the utilization of architectural...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 1994 |
| País: | España |
| Institución: | Consejo Superior de Investigaciones Científicas (CSIC) |
| Repositorio: | DIGITAL.CSIC. Repositorio Institucional del CSIC |
| OAI Identifier: | oai:digital.csic.es:10261/26871 |
| Acceso en línea: | http://hdl.handle.net/10261/26871 |
| Access Level: | acceso abierto |
| Palabra clave: | Pintura barroca Pintura religiosa Composición pictórica Fuentes iconográficas Grabado renacentista Escuela alemana Escuela holandesa |
| Sumario: | [EN] We present new engraved sources applied by Francisco de Zurbarán to coiupose some of his most important works. Together with engravings by Durero, Philippe Gaile, Tempesta and Sadeler, is speciaüy significant the employenent of XVI cenatury Florentine woodcuts, the utilization of architectural motifs from Philippe Galle engravings applied in the «Apoteosis de Santo Tomás de Aquino, as well as the using of German playing cards from the beginnings of the XVI century. |
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