Antonio de Cabezón, redivivo
[EN] In 2010 we celebrated the fifth centenary of the birth of the great sixteenth-century Spanish musician, organist Philip II, Antonio de Cabezon. The present work aims to compile the history and meaning of his musical output again albeit briefly, while as a reminder and reflection background to h...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2014 |
| País: | España |
| Institución: | Consejo Superior de Investigaciones Científicas (CSIC) |
| Repositorio: | DIGITAL.CSIC. Repositorio Institucional del CSIC |
| OAI Identifier: | oai:digital.csic.es:10261/112045 |
| Acceso en línea: | http://hdl.handle.net/10261/112045 |
| Access Level: | acceso abierto |
| Palabra clave: | Antonio de Cabezón 16th century Keyboard harp Vihuela Philip II of Spain Organ Historical Musicology Siglo XVI Tecla Arpa y vihuela Felipe II Órgano Musicología histórica |
| Sumario: | [EN] In 2010 we celebrated the fifth centenary of the birth of the great sixteenth-century Spanish musician, organist Philip II, Antonio de Cabezon. The present work aims to compile the history and meaning of his musical output again albeit briefly, while as a reminder and reflection background to his work raises at present (as discussed in the articles that follow it immediately), in an attempt to claim the best music for keyboard, harp and vihuela dating from the historic period of maximum splendor and projection in the Hispanic world. |
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