Believe Me, Do not Believe Me: Jhumpa Lahiri and the Royal Family of Oudh
In Interpreter of Maladies (1999) Jhumpa Lahiri gives voice to Boori Ma, a durwan (door- keeper) who chronicles about the easier times she enjoyed before deportation to Kolkata (previously known as Calcutta, India) after Partition of 1947. Lahiri plays with the word real implying that Boori Ma’s sto...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | España |
| Institución: | Universidad de La Laguna (ULL) |
| Repositorio: | RIULL. Repositorio Institucional de la Universidad de La Laguna |
| OAI Identifier: | oai:riull.ull.es:915/25526 |
| Acceso en línea: | http://riull.ull.es/xmlui/handle/915/25526 |
| Access Level: | acceso abierto |
| Palabra clave: | partición trauma literatura periodismo |
| Sumario: | In Interpreter of Maladies (1999) Jhumpa Lahiri gives voice to Boori Ma, a durwan (door- keeper) who chronicles about the easier times she enjoyed before deportation to Kolkata (previously known as Calcutta, India) after Partition of 1947. Lahiri plays with the word real implying that Boori Ma’s stories could be deciphered as real or not. Boori Ma’s fictitious life resembles the one of the Royal Family of Oudh, which Lahiri seems to be inspired by. Foreign correspondents (Kaufman, 1981; Miles, 1985; Barry, 2019) did not question the veracity of this family’s life story. In the present article, the two stories are compared: a liter- ary and a real one. It is our intention to prove that traumatic experiences, such as Partition, cause subjects to imagine an alternative life; strategy which is unconsciously activated to heal trauma (LaCapra, 1999; Mookerjea-Leonard, 2017). The latter is what western journalists and readers failed to acknowledge. |
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