Consideraciones en torno a la representación de lo invisible: el método de Monge en cuatro dimensiones
[EN] The graphic representation of fourdimensional space, between the nineteenth and twentieth centuries, deserves a prominent place in the history of graphic thinking. As happened in the development of the Renaissance perspective, the study of polyhedra and polytopes by a few ‘graphic mathematician...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2019 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español inglés |
| OAI Identifier: | oai:riunet.upv.es:10251/119187 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/119187 |
| Access Level: | acceso abierto |
| Palabra clave: | Cuarta dimensión Visualización 4D Perspectiva Geometría Descriptiva Fourth dimension 4D Visualization Perspective Descriptive Geometry |
| Sumario: | [EN] The graphic representation of fourdimensional space, between the nineteenth and twentieth centuries, deserves a prominent place in the history of graphic thinking. As happened in the development of the Renaissance perspective, the study of polyhedra and polytopes by a few ‘graphic mathematicians’ was linked to the codification of new ways of representation. The desire to define new ways of seeing and representing the fourth dimension transcended all the spheres of aesthetic manifestations. We provide relevant testimonies regarding the evolution of the four-dimensional graphic systems. A final contribution based on Alfredo Llorens Herrero’s Thesis 1 is also included, which involves the amplification of the Dihedral System or Monge’s method through the inclusion of an extra dimension. |
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