Texto, contexto e intertexto en «Paisaje de la multitud que vomita (Anochecer de Coney Island)», de Federico García Lorca
[EN]This paper proposes a close reading of «Paisaje de la multitud que vomita (Anochecer de Coney Island)», one of the poems in the third section of Poeta en Nueva York, by federico García Lorca. especially those aspects that had been neglected in previous readings are taken into account: both its h...
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| Format: | article |
| Publication Date: | 2011 |
| Country: | España |
| Institution: | Universidad de Salamanca (USAL) |
| Repository: | GREDOS. Repositorio Institucional de la Universidad de Salamanca |
| OAI Identifier: | oai:gredos.usal.es:10366/133492 |
| Online Access: | http://hdl.handle.net/10366/133492 |
| Access Level: | Open access |
| Keyword: | Federico García Lorca Poeta en Nueva York Intertextualidad Grotesco Simbolismo Intertextuality Grotesque Symbolism |
| Summary: | [EN]This paper proposes a close reading of «Paisaje de la multitud que vomita (Anochecer de Coney Island)», one of the poems in the third section of Poeta en Nueva York, by federico García Lorca. especially those aspects that had been neglected in previous readings are taken into account: both its historical context and thematic and intertextual codes related to the grotesque image of body, some of Hieronymous Bosch’s paintings and the symbolism of vomiting. |
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