Estéticas de la interacción: cliché y espectáculo
[EN] The work of art has long since left its passive character aside. The digital society has transformed our ways of doing and thinking towards logics of interaction, we no longer want to see but to do and experience. This paradigm shift offers us a new line of creation from art and technology, whe...
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| Format: | article |
| Publication Date: | 2024 |
| Country: | España |
| Institution: | Universitat Politècnica de València (UPV) |
| Repository: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Language: | Spanish |
| OAI Identifier: | oai:riunet.upv.es:10251/203683 |
| Online Access: | https://riunet.upv.es/handle/10251/203683 |
| Access Level: | Open access |
| Keyword: | Interactivity Aeshtetics Cliche Digital Poetry Interacción Estética Cliché Poética |
| Summary: | [EN] The work of art has long since left its passive character aside. The digital society has transformed our ways of doing and thinking towards logics of interaction, we no longer want to see but to do and experience. This paradigm shift offers us a new line of creation from art and technology, where the artist wants the user to interact with the work of art. Although this has generated a new rhetoric in the work of art, also the interaction from the work of art has acquired a mirror value and lacks poetics. Interaction for its own sake is now also a practice, although legitimate, it also wastes the capabilities of interaction and creates a pure spectacle out of the work of art. This article proposes a cualitative and explorative analysis of the aesthetics of interaction and its creative contribution in digital art works of recent years, among which are artists such as Lygia Clark, TEAM LAB, Miguel Chevalier, NONOTAK, Random International or Rafael Lozano Hemmer. The objective of this analysis is to understand the current trend in the aesthetics of interaction, whether they seek to generate a free interaction that explores the concept itself or whether they present a basic and spectacular level of interaction. The article is based on aesthetic theories proposed by artists such as Prada, Giannetti or Lévy to leave open the revision of this paradigm of interaction. |
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