On victims and heroes: spatial referents and social models in self-representation of the anti-franco workers movement
In this article I suggest that individual memory is selective causing gaps in collective memory that need to be analysed and interpreted in order to understand how communities shape their past. I will illustrate my argument by presenting autobiographical accounts of different members of the anti-Fra...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2010 |
| País: | España |
| Institución: | Universidad de Barcelona |
| Repositorio: | Dipòsit Digital de la UB |
| OAI Identifier: | oai:diposit.ub.edu:2445/227435 |
| Acceso en línea: | https://hdl.handle.net/2445/227435 |
| Access Level: | acceso embargado |
| Palabra clave: | Antifranquisme Moviment obrer Memòria col·lectiva Memòries Espanya Anti-Francoism Labor movement Collective memory Memoirs Spain |
| Sumario: | In this article I suggest that individual memory is selective causing gaps in collective memory that need to be analysed and interpreted in order to understand how communities shape their past. I will illustrate my argument by presenting autobiographical accounts of different members of the anti-Franco workers movement in the 1960s and 1970s in Spain. Here, the use of self-representation as a means to explain the past poses some problems. In the first place, the history of the anti-Franco movement will have to broaden its focus in order to fully understand how the opposition’s memory is constructed and reconstructed in all its complexity. Secondly, what gives meaning to a witness account are the spatial references and references to social models that determine what is memorable and what is not, as well as defining the ‘heroes’ and the ‘victims’. Omissions are likely. More recently, however, with an increasing number of autobiographical accounts appearing alongside an increasingly significant historiography, it is possible to see how they mutually affect, often in unrecognized ways, memory and history in the construction of their narratives about the past. |
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