Ariadne&apos

[EN] This paper deals with the development of a multidisciplinary study on the current state of conservation of Ariadne’s house (Pompeii, Italy), a domus of great archaeological value. The aim of this study is to undertake the preventive conservation actions required and increase the knowledge about...

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Detalhes bibliográficos
Autores: Pérez García, María Del Carmen, Merello Giménez, Paloma, D'Antoni, P., Fernández Navajas, Angel, Ribera i Lacomba, A., Ferrazza, Livio, Pérez Miralles, Juan, Merce, P., D'Antoni, Héctor L., García Diego, Fernando Juan|||0000-0002-7062-245X, Baró Zarzo, José Luis|||0000-0001-9529-7289, Jorge Curiel-Esparza|||0000-0002-2453-5822
Formato: artículo
Fecha de publicación:2013
País:España
Recursos:Universitat Politècnica de València (UPV)
Repositorio:RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
Idioma:inglés
OAI Identifier:oai:riunet.upv.es:10251/40645
Acesso em linha:https://riunet.upv.es/handle/10251/40645
Access Level:acceso abierto
Palavra-chave:Restoration and conservation
Deterioration
Efflorescence
Thermal analysis
Photography
Environmental monitoring
Pompeii
Salvage archaeology
Materials
Mortar
Arqueología preventiva
Vigilancia ambiental
Materiales
Fotografía
COMPOSICION ARQUITECTONICA
FISICA APLICADA
PINTURA
Descrição
Resumo:[EN] This paper deals with the development of a multidisciplinary study on the current state of conservation of Ariadne’s house (Pompeii, Italy), a domus of great archaeological value. The aim of this study is to undertake the preventive conservation actions required and increase the knowledge about its conservation and to generate discussions and points of view for a future restoration. Environmental studies, electromagnetic radiation measurements, study of materials and a photographical study were carried out. Those studies revealed that the rooftops covering the analyzed rooms resulting in adverse weather conditions causing grave damage to the conservation of the wall paintings. Thus, between 2009-2010 the rooftops were changed and new environmental studies were conducted. Studies of materials showed that the paintings match in execution and composition with those reported by other authors. The salts from modern mortars from previous restorations were affecting frescoes, also it is described a thin grayish surface layer from environmental contaminants.

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