Reinterpretación de referentes escultóricos clásicos adaptados al contexto creativo, experimental y conceptual a través del grabado

[EN] In this project a series of works is carried out in which the theme of classical sculpture is combined with the graphic work from a very personal point of view. Through the project the study of the fundamental elements is carried out from which we proceed to the production of a collection of en...

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Detalles Bibliográficos
Autor: Cejalvo Herráiz, Alicia
Tipo de recurso: tesis de maestría
Fecha de publicación:2019
País:España
Institución:Universitat Politècnica de València (UPV)
Repositorio:RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
Idioma:español
OAI Identifier:oai:riunet.upv.es:10251/132095
Acceso en línea:https://riunet.upv.es/handle/10251/132095
Access Level:acceso abierto
Palabra clave:Grabado
Renacimiento
México
esculturas
experimentación
Engrave
Renaissance
Mexico
sculptures
experimentation.
DIBUJO
Máster Universitario en Producción Artística-Màster Universitari en Producció Artística
Descripción
Sumario:[EN] In this project a series of works is carried out in which the theme of classical sculpture is combined with the graphic work from a very personal point of view. Through the project the study of the fundamental elements is carried out from which we proceed to the production of a collection of engravings, in which some of the sculptural referents are reinterpreted and adapted to appropriate colors, matrices, papers and textures, in a creative and experimental context within the field of engraving, to observe its interaction with the plastic and material elements. I try to reflect and recreate the beauty of the classical spirit, where the human figure is placed in a mystical context and through which the divine essence manifests itself. On the other hand, the project is developed within a theoretical and conceptual framework of Latin American influences which will give the main sustenance. The TFM is considered in the context of a continuation of the production of work done in the Master of Artistic Production, in the subject of Engraving Processes.