La contribución de la música de George Fenton al cine de Ken Loach.
Ken Loach is a high profi le British fi lm director. Since the mid 1960’s, he has made numerous fi lms for cinema and television. There is already a lot written about his way of fi lming and yet very little is written about the music for his fi lms. To be able to get inside the music of Ken Loach’s...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2017 |
| País: | España |
| Institución: | Universidad Villanueva (UV) |
| Repositorio: | DIGI-UV. Repositorio Digital de la Universidad Villanueva |
| OAI Identifier: | oai:digiuv.villanueva.edu:20.500.12766/845 |
| Acceso en línea: | https://hdl.handle.net/20.500.12766/845 |
| Access Level: | acceso abierto |
| Palabra clave: | Comunicación Audiovisual Ken Loach George Fenton Film Music Leitmotif Ladybird |
| Sumario: | Ken Loach is a high profi le British fi lm director. Since the mid 1960’s, he has made numerous fi lms for cinema and television. There is already a lot written about his way of fi lming and yet very little is written about the music for his fi lms. To be able to get inside the music of Ken Loach’s fi lms, we must fi rst talk about George Fenton as he has been Loach’s usual composer since 1994. The object of this article is to fi ll this gap: to discover what musical characteristics Fenton contributes to Loach’s cinema. |
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