Morente-Lorca, Lorca-Morente: "Campanas por el poeta"... y por el cantaor
In this paper we will focus on Morente-Lorca, the explicit recording that Enrique dedicated in 1998 to Fuente Vaqueros on the centenary of his birth. Produced by La Barbería del Sur under theartistic direction of the cantaor and arranged in two sections by Giorgi Petkov and Giorgi Krassimirov, it wa...
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| Formato: | artículo |
| Fecha de publicación: | 2021 |
| País: | España |
| Recursos: | Universidad Camilo José Cela (UCJC) |
| Repositorio: | RUIdeRA. Repositorio Institucional de la UCLM |
| OAI Identifier: | oai:ruidera.uclm.es:10578/44629 |
| Acesso em linha: | https://revistas.um.es/flamenco/issue/view/20351 https://hdl.handle.net/10578/44629 |
| Access Level: | acceso abierto |
| Palavra-chave: | Enrique Morente Federico García Lorca Flamenco Morente-Lorca |
| Resumo: | In this paper we will focus on Morente-Lorca, the explicit recording that Enrique dedicated in 1998 to Fuente Vaqueros on the centenary of his birth. Produced by La Barbería del Sur under theartistic direction of the cantaor and arranged in two sections by Giorgi Petkov and Giorgi Krassimirov, it was structured in fourteen tracks. In several of them, Morente started from differentpoems and fragments of Lorca dramas (Así que pasen cinco años, Doña Rosita la soltera, Yerma, Poeta en Nueva York, Poema del cante jondo and Diwán del Tamarit) that were put to music byJuan Manuel Cañizares, Juan Carlos Romero and by himself (he also took letters from San Juan de la Cruz and Francisco García Lorca). Among them, “Campanas por el poeta” stands out, a song recorded live by the engineer José Ángel Ruiz in the Plaza de la Catedral in Barcelona at the 1998 Mercè Festival. In addition to the live performance, they also added the sound of the bells of the city of Granada collected from the Plaza de San Nicolás del Albaicín at five in the morning. They also picked up other echoes of the dawn atmosphere of the city of the Alhambra. |
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