El suplemento de la imaginación en la narración. O de cómo Husserl aporta un complemento a la perspectiva de Ricoeur
I apply Edmund Husserl’s notion of “<i>phantasma</i>”, which he sees as the support for pure imagination, to Ricoeur’s understanding of a narrative of real facts or events. I argue, first, that the <i>phantasma</i>, which plays in pure imagination the same role as sensations...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2018 |
| País: | España |
| Institución: | Universidad de Navarra |
| Repositorio: | Dadun. Depósito Académico Digital de la Universidad de Navarra |
| Idioma: | español |
| OAI Identifier: | oai:dadun.unav.edu:10171/60347 |
| Acceso en línea: | https://hdl.handle.net/10171/60347 |
| Access Level: | acceso abierto |
| Palabra clave: | Imaginación narrativa phantasma Husserl Ricoeur |
| Sumario: | I apply Edmund Husserl’s notion of “<i>phantasma</i>”, which he sees as the support for pure imagination, to Ricoeur’s understanding of a narrative of real facts or events. I argue, first, that the <i>phantasma</i>, which plays in pure imagination the same role as sensations in perception, allows us to visualize and experience what is recounted in a narrative; and, second, that this <i>phantasma</i> is analogous to the sensations of perceptions that observers had of these facts and events. This component of imagination in a narrative is precisely what allows a narrative to render facts and events “as they really happened.” |
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