Virtud, nobleza y tragedia: Egmont según Goethe y Schiller

Lamoraal van Egmont’s existence was tinged with tragedy and was the subject of literary treatment in Goethe’s work. However, his fate can be explained in strictly historical terms: those of an old nobility unable to assimilate the unified administration of a Modern Age authoritarian state. When writ...

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Detalles Bibliográficos
Autor: Salmerón Infante, Miguel
Tipo de recurso: capítulo de libro
Fecha de publicación:2021
País:España
Institución:Universidad Autónoma de Madrid
Repositorio:Biblos-e Archivo. Repositorio Institucional de la UAM
Idioma:español
OAI Identifier:oai:repositorio.uam.es:10486/717567
Acceso en línea:http://hdl.handle.net/10486/717567
Access Level:acceso abierto
Palabra clave:Egmont
Goethe
Schiller
History
Drama
Characters
Actions
Filosofía
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spelling Virtud, nobleza y tragedia: Egmont según Goethe y SchillerSalmerón Infante, MiguelEgmontGoetheSchillerHistoryDramaCharactersActionsFilosofíaLamoraal van Egmont’s existence was tinged with tragedy and was the subject of literary treatment in Goethe’s work. However, his fate can be explained in strictly historical terms: those of an old nobility unable to assimilate the unified administration of a Modern Age authoritarian state. When writing Egmont (in 1788), Goethe skilfully introduced three distinct realms: social, political, and private. The social sphere is represented by the dialogues between craftsmen and soldiers, the political realm by the conversations between leaders and influencers, and the personal domain by Egont´s relationship with Clara, his lover, and with Fernando, an illegitimate son of the Duke of Alba. Schiller carried out a critical review of drama Goethe (1788) and later made a stage adaptation (1796) based on the idea of maximising the dramatic action of what was originally intended as a character play. Egmont as a historical figure, Goethe as a drama and the aforementioned adaptation by Schiller make up a thought- provoking constellation, namely, of history, dramatic text and theatrePeter LangGuillén Berrendero, José AntonioVersteegen, GijsDepartamento de FilosofíaFacultad de Filosofía y Letras20212021-01-01book parthttp://purl.org/coar/resource_type/c_3248VoRhttp://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/bookPartapplication/pdfhttp://hdl.handle.net/10486/717567reponame:Biblos-e Archivo. Repositorio Institucional de la UAMinstname:Universidad Autónoma de MadridEspañolspaopen accesshttp://purl.org/coar/access_right/c_abf2info:eu-repo/semantics/openAccessoai:repositorio.uam.es:10486/7175672026-06-23T12:46:27Z
dc.title.none.fl_str_mv Virtud, nobleza y tragedia: Egmont según Goethe y Schiller
title Virtud, nobleza y tragedia: Egmont según Goethe y Schiller
spellingShingle Virtud, nobleza y tragedia: Egmont según Goethe y Schiller
Salmerón Infante, Miguel
Egmont
Goethe
Schiller
History
Drama
Characters
Actions
Filosofía
title_short Virtud, nobleza y tragedia: Egmont según Goethe y Schiller
title_full Virtud, nobleza y tragedia: Egmont según Goethe y Schiller
title_fullStr Virtud, nobleza y tragedia: Egmont según Goethe y Schiller
title_full_unstemmed Virtud, nobleza y tragedia: Egmont según Goethe y Schiller
title_sort Virtud, nobleza y tragedia: Egmont según Goethe y Schiller
dc.creator.none.fl_str_mv Salmerón Infante, Miguel
author Salmerón Infante, Miguel
author_facet Salmerón Infante, Miguel
author_role author
dc.contributor.none.fl_str_mv Guillén Berrendero, José Antonio
Versteegen, Gijs
Departamento de Filosofía
Facultad de Filosofía y Letras
dc.subject.none.fl_str_mv Egmont
Goethe
Schiller
History
Drama
Characters
Actions
Filosofía
topic Egmont
Goethe
Schiller
History
Drama
Characters
Actions
Filosofía
description Lamoraal van Egmont’s existence was tinged with tragedy and was the subject of literary treatment in Goethe’s work. However, his fate can be explained in strictly historical terms: those of an old nobility unable to assimilate the unified administration of a Modern Age authoritarian state. When writing Egmont (in 1788), Goethe skilfully introduced three distinct realms: social, political, and private. The social sphere is represented by the dialogues between craftsmen and soldiers, the political realm by the conversations between leaders and influencers, and the personal domain by Egont´s relationship with Clara, his lover, and with Fernando, an illegitimate son of the Duke of Alba. Schiller carried out a critical review of drama Goethe (1788) and later made a stage adaptation (1796) based on the idea of maximising the dramatic action of what was originally intended as a character play. Egmont as a historical figure, Goethe as a drama and the aforementioned adaptation by Schiller make up a thought- provoking constellation, namely, of history, dramatic text and theatre
publishDate 2021
dc.date.none.fl_str_mv 2021
2021-01-01
dc.type.none.fl_str_mv book part
http://purl.org/coar/resource_type/c_3248
VoR
http://purl.org/coar/version/c_970fb48d4fbd8a85
dc.type.openaire.fl_str_mv info:eu-repo/semantics/bookPart
format bookPart
dc.identifier.none.fl_str_mv http://hdl.handle.net/10486/717567
url http://hdl.handle.net/10486/717567
dc.language.none.fl_str_mv Español
spa
language_invalid_str_mv Español
language spa
dc.rights.none.fl_str_mv open access
http://purl.org/coar/access_right/c_abf2
dc.rights.openaire.fl_str_mv info:eu-repo/semantics/openAccess
rights_invalid_str_mv open access
http://purl.org/coar/access_right/c_abf2
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Peter Lang
publisher.none.fl_str_mv Peter Lang
dc.source.none.fl_str_mv reponame:Biblos-e Archivo. Repositorio Institucional de la UAM
instname:Universidad Autónoma de Madrid
instname_str Universidad Autónoma de Madrid
reponame_str Biblos-e Archivo. Repositorio Institucional de la UAM
collection Biblos-e Archivo. Repositorio Institucional de la UAM
repository.name.fl_str_mv
repository.mail.fl_str_mv
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score 15,811543

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