“You Knit to Save Your Life”: Trauma and Textile in Ann Hood’s The Knitting Circle (2006)
This paper includes a hermeneutic revision of Ann Hood’s novel The Knitting Circle (2006), a text that has been scarcely approached from the perspective of literary theory and criticism. In order to carry out this analysis, particularly focused on its protagonist, the presuppositions of trauma studi...
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| Tipo de documento: | artigo |
| Estado: | Versão publicada |
| Data de publicação: | 2023 |
| País: | España |
| Recursos: | Universidad de Valladolid |
| Repositório: | UVaDOC. Repositorio Documental de la Universidad de Valladolid |
| OAI Identifier: | oai:uvadoc.uva.es:10324/64154 |
| Acesso em linha: | https://doi.org/10.24197/ersjes.44.2023.213-235 https://uvadoc.uva.es/handle/10324/64154 |
| Access Level: | Acceso aberto |
| Palavra-chave: | Filología Inglesa |
| Resumo: | This paper includes a hermeneutic revision of Ann Hood’s novel The Knitting Circle (2006), a text that has been scarcely approached from the perspective of literary theory and criticism. In order to carry out this analysis, particularly focused on its protagonist, the presuppositions of trauma studies are employed, especially the considerations of Laurie Vickroy, as well as the semiotics of the textile in terms of its discursive and collective potential. Through the prism of close reading, it is proposed that the textile activity (and, by extension, the community that is generated around it) fosters a process of psychological recovery that depends not only on the articulation of the traumatic event, but also on the forms of social experiencing established around that episode. |
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