«La producción artística basada en procesos que cohabitan temporalmente los contextos. Artistic production based on processes that coexist within temporary contexts» En: Garcés, Marina (coord.). «Ecología de la imaginación»

In the origins of the concept 'residency' or 'residency programmes' lie the aims of facilitating the mobility of creators, offering time and space for research, producing, creating, and intensifying connections between organizations in different territories. Placing the results i...

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Detalles Bibliográficos
Autores: Parramon, Ramon, Agustí, Eugènia, Milne, Jo, 1966-, Puig, Eloi
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2022
País:España
Institución:Universidad de Barcelona
Repositorio:Dipòsit Digital de la UB
OAI Identifier:oai:diposit.ub.edu:2445/184540
Acceso en línea:https://hdl.handle.net/2445/184540
Access Level:acceso abierto
Palabra clave:Interacció social
Creació artística
Social interaction
Artistic creation
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spelling «La producción artística basada en procesos que cohabitan temporalmente los contextos. Artistic production based on processes that coexist within temporary contexts» En: Garcés, Marina (coord.). «Ecología de la imaginación»Parramon, RamonAgustí, EugèniaMilne, Jo, 1966-Puig, EloiInteracció socialCreació artísticaSocial interactionArtistic creationIn the origins of the concept 'residency' or 'residency programmes' lie the aims of facilitating the mobility of creators, offering time and space for research, producing, creating, and intensifying connections between organizations in different territories. Placing the results in relation with the location, context or organization hosting the experience where the programme is developed. The growth of residency programmes runs parallel to a transition in their very raison d'être. From understanding their role as facilitating time and space for creative isolation, towards the configuration of a space that activates social interaction within the context. In this text, we address the role of artistic residencies as catalysts that promote changes in artistic careers and practices, as structures that contribute new forms of research, production, and distribution to the artistic ecosystem, and which, more remarkably, have an impact on the context from a political, social and cultural perspective. The article, written in a time of social isolation, reflects upon the need to redefine the role residencies can assume, especially when their objectives deploy programmes that interact with different aspects of the social, or when mobility restrictions hinder their development and virtuality appears as a solution to the fears of face-to-face. The methodology used incorporates reflections derived from the ADD+ART congress, that called for projects addressing artistic production in the face of the new paradigm related to (im)mobility, (non-)presenciality and social interaction, and the analysis of the roles different residencies take on based on the agents involved in them, with a consideration of the cases of Idensitat, Milne, and Carreño-Muñoz.Universitat Oberta de Catalunya2022info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://hdl.handle.net/2445/184540Articles publicats en revistes (Arts Visuals i Disseny)reponame:Dipòsit Digital de la UBinstname:Universidad de BarcelonaEspañolReproducció del document publicat a: https://doi.org/10.7238/artnodes.v0i29.393066Artnodes, 2022, num. 29https://doi.org/10.7238/artnodes.v0i29.393066cc-by (c) Parramon, Ramon et al., 2022https://creativecommons.org/licenses/by/4.0/info:eu-repo/semantics/openAccessoai:diposit.ub.edu:2445/1845402026-05-27T06:46:51Z
dc.title.none.fl_str_mv «La producción artística basada en procesos que cohabitan temporalmente los contextos. Artistic production based on processes that coexist within temporary contexts» En: Garcés, Marina (coord.). «Ecología de la imaginación»
title «La producción artística basada en procesos que cohabitan temporalmente los contextos. Artistic production based on processes that coexist within temporary contexts» En: Garcés, Marina (coord.). «Ecología de la imaginación»
spellingShingle «La producción artística basada en procesos que cohabitan temporalmente los contextos. Artistic production based on processes that coexist within temporary contexts» En: Garcés, Marina (coord.). «Ecología de la imaginación»
Parramon, Ramon
Interacció social
Creació artística
Social interaction
Artistic creation
title_short «La producción artística basada en procesos que cohabitan temporalmente los contextos. Artistic production based on processes that coexist within temporary contexts» En: Garcés, Marina (coord.). «Ecología de la imaginación»
title_full «La producción artística basada en procesos que cohabitan temporalmente los contextos. Artistic production based on processes that coexist within temporary contexts» En: Garcés, Marina (coord.). «Ecología de la imaginación»
title_fullStr «La producción artística basada en procesos que cohabitan temporalmente los contextos. Artistic production based on processes that coexist within temporary contexts» En: Garcés, Marina (coord.). «Ecología de la imaginación»
title_full_unstemmed «La producción artística basada en procesos que cohabitan temporalmente los contextos. Artistic production based on processes that coexist within temporary contexts» En: Garcés, Marina (coord.). «Ecología de la imaginación»
title_sort «La producción artística basada en procesos que cohabitan temporalmente los contextos. Artistic production based on processes that coexist within temporary contexts» En: Garcés, Marina (coord.). «Ecología de la imaginación»
dc.creator.none.fl_str_mv Parramon, Ramon
Agustí, Eugènia
Milne, Jo, 1966-
Puig, Eloi
author Parramon, Ramon
author_facet Parramon, Ramon
Agustí, Eugènia
Milne, Jo, 1966-
Puig, Eloi
author_role author
author2 Agustí, Eugènia
Milne, Jo, 1966-
Puig, Eloi
author2_role author
author
author
dc.subject.none.fl_str_mv Interacció social
Creació artística
Social interaction
Artistic creation
topic Interacció social
Creació artística
Social interaction
Artistic creation
description In the origins of the concept 'residency' or 'residency programmes' lie the aims of facilitating the mobility of creators, offering time and space for research, producing, creating, and intensifying connections between organizations in different territories. Placing the results in relation with the location, context or organization hosting the experience where the programme is developed. The growth of residency programmes runs parallel to a transition in their very raison d'être. From understanding their role as facilitating time and space for creative isolation, towards the configuration of a space that activates social interaction within the context. In this text, we address the role of artistic residencies as catalysts that promote changes in artistic careers and practices, as structures that contribute new forms of research, production, and distribution to the artistic ecosystem, and which, more remarkably, have an impact on the context from a political, social and cultural perspective. The article, written in a time of social isolation, reflects upon the need to redefine the role residencies can assume, especially when their objectives deploy programmes that interact with different aspects of the social, or when mobility restrictions hinder their development and virtuality appears as a solution to the fears of face-to-face. The methodology used incorporates reflections derived from the ADD+ART congress, that called for projects addressing artistic production in the face of the new paradigm related to (im)mobility, (non-)presenciality and social interaction, and the analysis of the roles different residencies take on based on the agents involved in them, with a consideration of the cases of Idensitat, Milne, and Carreño-Muñoz.
publishDate 2022
dc.date.none.fl_str_mv 2022
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://hdl.handle.net/2445/184540
url https://hdl.handle.net/2445/184540
dc.language.none.fl_str_mv Español
language_invalid_str_mv Español
dc.relation.none.fl_str_mv Reproducció del document publicat a: https://doi.org/10.7238/artnodes.v0i29.393066
Artnodes, 2022, num. 29
https://doi.org/10.7238/artnodes.v0i29.393066
dc.rights.none.fl_str_mv cc-by (c) Parramon, Ramon et al., 2022
https://creativecommons.org/licenses/by/4.0/
info:eu-repo/semantics/openAccess
rights_invalid_str_mv cc-by (c) Parramon, Ramon et al., 2022
https://creativecommons.org/licenses/by/4.0/
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universitat Oberta de Catalunya
publisher.none.fl_str_mv Universitat Oberta de Catalunya
dc.source.none.fl_str_mv Articles publicats en revistes (Arts Visuals i Disseny)
reponame:Dipòsit Digital de la UB
instname:Universidad de Barcelona
instname_str Universidad de Barcelona
reponame_str Dipòsit Digital de la UB
collection Dipòsit Digital de la UB
repository.name.fl_str_mv
repository.mail.fl_str_mv
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score 15,300719

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