"Quattro quadri, di pittura molto vaga e bella". Las spalliere con la Historia de Nastagio degli Onesti de Sandro Botticelli
In 1483 Sandro Botticelli completed with the collaboration of his workshop the quartet with the story of Nastagio degli Onesti. It was the first pictorial transcription on panel of the novella of the Decameron and its purpose was decorate the camera nuziale of the newlyweds Giannozzo Pucci and Lucre...
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| Tipo de recurso: | tesis doctoral |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | España |
| Institución: | CBUC, CESCA |
| Repositorio: | TDR. Tesis Doctorales en Red |
| OAI Identifier: | oai:www.tdx.cat:10803/674268 |
| Acceso en línea: | http://hdl.handle.net/10803/674268 |
| Access Level: | acceso abierto |
| Palabra clave: | Botticelli, Sandro Boccaccio, Giovanni Quattrocento Decameron Spalliere Pucci Pintura italiana Italian paiting Literatura italiana Italian literature Renaixement Renacimiento Renaissance Itàlia Italia Italy 75 82 |
| Sumario: | In 1483 Sandro Botticelli completed with the collaboration of his workshop the quartet with the story of Nastagio degli Onesti. It was the first pictorial transcription on panel of the novella of the Decameron and its purpose was decorate the camera nuziale of the newlyweds Giannozzo Pucci and Lucrezia Bini. In the spring of 1868, after a slumber of almost four centuries in the Palazzo Pucci, the London collector Alexander Barker acquired the four paintings and embarked on the road to English lands. It was then that they were exposed to the London public, censored with repaints in their composition and auctioned several times circulating throughout Europe. This PhD thesis reconstructs the fate, the trips and adventures of the paintings of Palazzo Pucci, but also provides unpublished information about its iconographic content, its reception and consideration throughout history |
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