Technology, Audio-visual Adaptation and Cultural Re-education of Opera
Considering the various uses that cinema has made of opera, this paper focusses on the new exhibitive and distributive mediums of musical theatre on the big screen today. This ranges from live broadcasts to the use of the screen in contemporary opera stagings. The paper raises several challenges, bu...
| Autores: | , |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | España |
| Institución: | Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
| Repositorio: | Recercat. Dipósit de la Recerca de Catalunya |
| OAI Identifier: | oai:recercat.cat:20.500.14342/488 |
| Acceso en línea: | http://hdl.handle.net/20.500.14342/488 |
| Access Level: | acceso abierto |
| Palabra clave: | Mitjans de comunicació de massa Òpera Innovacions tecnològiques 65 |
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Technology, Audio-visual Adaptation and Cultural Re-education of OperaRadigales, JaumeVillanueva-Benito, IsabelMitjans de comunicació de massaÒperaInnovacions tecnològiques65Considering the various uses that cinema has made of opera, this paper focusses on the new exhibitive and distributive mediums of musical theatre on the big screen today. This ranges from live broadcasts to the use of the screen in contemporary opera stagings. The paper raises several challenges, but particularly analyses the common market shared between opera and the audio-visual industry, from the perspective of the opera business in theatres. After defining the technological and commercial features that transform these broadcasts into sustainable film products, the focus is on ascertaining the audio-visual properties that establish opera simulcasts as a new media event in sociological terms. Once the technological perspective has been explored, the paper goes on to an aesthetic analysis of the audio-visual formats offered by combining opera and cinema. This analysis also offers an explanation of some of the sociological behaviours adopted by people attending films in theatres. Determining the characteristic narrative quality of opera enjoyed by audiences can facilitate a new exploration in the film industry of the future relations between these traditional art forms.Universitat Ramon Llull. Facultat de Comunicació i Relacions Internacionals BlanquernaUniversitat Ramon Llull. Facultat de Comunicació i Relacions Internacionals Blanquerna2021info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersion12 p.http://hdl.handle.net/20.500.14342/488reponame:Recercat. Dipósit de la Recerca de Catalunyainstname:Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya)InglésTrípodos, núm. 51, 2021Attribution-NonCommercial-ShareAlike 4.0 International© Facultat de Comunicació i Relacions Internacionals Blanquerna – URLhttp://creativecommons.org/licenses/by-nc-sa/4.0/info:eu-repo/semantics/openAccessoai:recercat.cat:20.500.14342/4882026-05-29T05:05:01Z |
| dc.title.none.fl_str_mv |
Technology, Audio-visual Adaptation and Cultural Re-education of Opera |
| title |
Technology, Audio-visual Adaptation and Cultural Re-education of Opera |
| spellingShingle |
Technology, Audio-visual Adaptation and Cultural Re-education of Opera Radigales, Jaume Mitjans de comunicació de massa Òpera Innovacions tecnològiques 65 |
| title_short |
Technology, Audio-visual Adaptation and Cultural Re-education of Opera |
| title_full |
Technology, Audio-visual Adaptation and Cultural Re-education of Opera |
| title_fullStr |
Technology, Audio-visual Adaptation and Cultural Re-education of Opera |
| title_full_unstemmed |
Technology, Audio-visual Adaptation and Cultural Re-education of Opera |
| title_sort |
Technology, Audio-visual Adaptation and Cultural Re-education of Opera |
| dc.creator.none.fl_str_mv |
Radigales, Jaume Villanueva-Benito, Isabel |
| author |
Radigales, Jaume |
| author_facet |
Radigales, Jaume Villanueva-Benito, Isabel |
| author_role |
author |
| author2 |
Villanueva-Benito, Isabel |
| author2_role |
author |
| dc.contributor.none.fl_str_mv |
Universitat Ramon Llull. Facultat de Comunicació i Relacions Internacionals Blanquerna |
| dc.subject.none.fl_str_mv |
Mitjans de comunicació de massa Òpera Innovacions tecnològiques 65 |
| topic |
Mitjans de comunicació de massa Òpera Innovacions tecnològiques 65 |
| description |
Considering the various uses that cinema has made of opera, this paper focusses on the new exhibitive and distributive mediums of musical theatre on the big screen today. This ranges from live broadcasts to the use of the screen in contemporary opera stagings. The paper raises several challenges, but particularly analyses the common market shared between opera and the audio-visual industry, from the perspective of the opera business in theatres. After defining the technological and commercial features that transform these broadcasts into sustainable film products, the focus is on ascertaining the audio-visual properties that establish opera simulcasts as a new media event in sociological terms. Once the technological perspective has been explored, the paper goes on to an aesthetic analysis of the audio-visual formats offered by combining opera and cinema. This analysis also offers an explanation of some of the sociological behaviours adopted by people attending films in theatres. Determining the characteristic narrative quality of opera enjoyed by audiences can facilitate a new exploration in the film industry of the future relations between these traditional art forms. |
| publishDate |
2021 |
| dc.date.none.fl_str_mv |
2021 |
| dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
| format |
article |
| status_str |
publishedVersion |
| dc.identifier.none.fl_str_mv |
http://hdl.handle.net/20.500.14342/488 |
| url |
http://hdl.handle.net/20.500.14342/488 |
| dc.language.none.fl_str_mv |
Inglés |
| language_invalid_str_mv |
Inglés |
| dc.relation.none.fl_str_mv |
Trípodos, núm. 51, 2021 |
| dc.rights.none.fl_str_mv |
Attribution-NonCommercial-ShareAlike 4.0 International © Facultat de Comunicació i Relacions Internacionals Blanquerna – URL http://creativecommons.org/licenses/by-nc-sa/4.0/ info:eu-repo/semantics/openAccess |
| rights_invalid_str_mv |
Attribution-NonCommercial-ShareAlike 4.0 International © Facultat de Comunicació i Relacions Internacionals Blanquerna – URL http://creativecommons.org/licenses/by-nc-sa/4.0/ |
| eu_rights_str_mv |
openAccess |
| dc.format.none.fl_str_mv |
12 p. |
| dc.publisher.none.fl_str_mv |
Universitat Ramon Llull. Facultat de Comunicació i Relacions Internacionals Blanquerna |
| publisher.none.fl_str_mv |
Universitat Ramon Llull. Facultat de Comunicació i Relacions Internacionals Blanquerna |
| dc.source.none.fl_str_mv |
reponame:Recercat. Dipósit de la Recerca de Catalunya instname:Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
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Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
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Recercat. Dipósit de la Recerca de Catalunya |
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Recercat. Dipósit de la Recerca de Catalunya |
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