I Cent noms de Déu di Ramon Llull. Il Corano e l'epica romanza
Ramon Llull's Hundred Names of God has been interpreted, due to its prologue, almost exclusively as an apologetic work against Islam. In this paper, we will demonstrate that this Islamic suggestion has to be considered only as a partial source of this poem, which is aimed mainly to a Christian...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2020 |
| País: | España |
| Institución: | Universidad de Barcelona |
| Repositorio: | Dipòsit Digital de la UB |
| OAI Identifier: | oai:diposit.ub.edu:2445/172579 |
| Acceso en línea: | https://hdl.handle.net/2445/172579 |
| Access Level: | acceso abierto |
| Palabra clave: | Litúrgia Literatura èpica Cançons de gesta Liturgics Epic literature Chansons de geste |
| Sumario: | Ramon Llull's Hundred Names of God has been interpreted, due to its prologue, almost exclusively as an apologetic work against Islam. In this paper, we will demonstrate that this Islamic suggestion has to be considered only as a partial source of this poem, which is aimed mainly to a Christian public and is founded in religious traditions deep-rooted in Europe. |
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