Anthropocenic futures and precarious bodies. A reading of "Mugre rosa" (2020) by Fernanda Trías

"Mugre rosa" (2020), by Uruguayan author Fernanda Trías, depicts a near-future Montevideo, where the population is confronted with climatic disaster and the propagation of a devastating disease. In this article, I explore the representation of bodily precarity in the context of environment...

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Detalles Bibliográficos
Autor: Crivelli, Manuela
Tipo de recurso: artículo
Fecha de publicación:2024
País:España
Institución:Universidad de Alcalá (UAH)
Repositorio:e_Buah Biblioteca Digital Universidad de Alcalá
Idioma:inglés
OAI Identifier:oai:ebuah.uah.es:10017/64723
Acceso en línea:http://hdl.handle.net/10017/64723
https://dx.doi.org/10.37536/ECOZONA.2024.15.2.5192
Access Level:acceso abierto
Palabra clave:Precarious bodies
Anthropocene
Illness
Cuerpos precarios
Antropoceno
Enfermedad
Fernanda Trías
Mugre rosa
Literatura
Medio ambiente
Literature
Environmental science
Descripción
Sumario:"Mugre rosa" (2020), by Uruguayan author Fernanda Trías, depicts a near-future Montevideo, where the population is confronted with climatic disaster and the propagation of a devastating disease. In this article, I explore the representation of bodily precarity in the context of environmental catastrophe, arguing that this vulnerability constitutes a point of resistance from which to rethink human identity. On the one hand, exposure to an anthropogenic environment is interpreted as instrumental to late capitalist biopolitics. This is revealed through the cartographies of precarity emerging from the novel, which reflect not only the chasm between Global North and Global South but also local inequalities. On the other hand, this corporeal exposure constitutes a challenge to traditional representations of the human. Through the analysis of the depiction of illness, I discuss how this deconstruction of the body favours the emergence of a new, interconnected identity. Ultimately, I suggest that a destabilising age such as the Anthropocene constitutes not only a profound moment of crisis but also a privileged space to rethink human subjectivity and its modes of representation.