The enunciation, double and unique
The story “La doble y única mujer” (1927), by Pablo Palacio, can lead to a reading oriented to a meta-reflexive reflection, where the quality of duality / uniqueness can be interpreted as the relationship between the literary text and its reading. This proposal-to read each text as a producer and de...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2016 |
| País: | Ecuador |
| Institución: | Universidad Andina Simón Bolivar |
| Repositorio: | Revista Andina de Letras y Estudios Culturales |
| Idioma: | español |
| OAI Identifier: | oai:revistas.uasb.edu.ec:article/1094 |
| Acceso en línea: | https://revistas.uasb.edu.ec/index.php/kipus/article/view/1094 |
| Access Level: | acceso abierto |
| Palabra clave: | Pablo Palacio Ecuador vanguardía cuento estética metarreflexión avant-garde story aesthetics meta-reflection |
| Sumario: | The story “La doble y única mujer” (1927), by Pablo Palacio, can lead to a reading oriented to a meta-reflexive reflection, where the quality of duality / uniqueness can be interpreted as the relationship between the literary text and its reading. This proposal-to read each text as a producer and dependent on its own exegesis, under the hypothesis that each discourse contains its own keys to interpretation-dialogues with other Latin American aesthetic searches; so that the present analysis opens a way of communication between the Palacian work and that of other authors of the region. |
|---|