La reparación inmaterial y el arte frente a violaciones de derechos humanos. Análisis del caso Barrios Altos vs. Perú (Tema Central)

The investigative task undertaken in this work evaluates by means of doctrinal standards the immaterial reparation issued by the Inter-American Court of Human Rights in the emblematic judgment of the Barrios Altos vs.. Peru case, in order to analyze in the ratio decidendi, if the action of the Inter...

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Detalles Bibliográficos
Autor: Alvaracín Jarrín, Adrián Alejandro
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2020
País:Ecuador
Institución:Universidad Andina Simón Bolivar
Repositorio:Repositorio Universidad Andina Simón Bolivar
Idioma:español
OAI Identifier:oai:repositorio.uasb.edu.ec:10644/7477
Acceso en línea:http://hdl.handle.net/10644/7477
Access Level:acceso abierto
Palabra clave:DERECHO
REPARACIÓN INTEGRAL
ARTE Y SOCIEDAD
VIOLACIONES A LOS DERECHOS HUMANOS
VÍCTIMAS
CORTE INTERAMERICANA DE DERECHOS HUMANOS, CIDH
RESTORATIVE JUSTICE
Descripción
Sumario:The investigative task undertaken in this work evaluates by means of doctrinal standards the immaterial reparation issued by the Inter-American Court of Human Rights in the emblematic judgment of the Barrios Altos vs.. Peru case, in order to analyze in the ratio decidendi, if the action of the Inter American Court of Human Rights conforms to a comprehensive vision on symbolic repair. This research is justified based in the way victims appear as secondary actors in the development of works of art as an object of immaterial reparation; therefore, the way in which they are the main subjects is sought, considering their intervention relevant when establishing the form and substance of the artistic manifestations as the object of their repair. As a methodology, a case study is applied, which allows through the analysis of the sentence set forth, to formulate broad and general proposals regarding symbolic reparation. As a result, art is interconnected with the law and immaterial reparation is proposed that respects the experiences and claims of victims of violations of human rights. The conclusions indicate the shortcomings of the Inter-American Court of Human Rights when applying doctrinal standards that allow immaterial reparation based on dialectic between judicial decision, victims, artists and the state, with the purpose of raising awareness and directing a reparation reality transformer.