Analysis of the Black Subject as a Political Subject in Two of Alejo Carpentier’s Works: Écue-Yamba-Ó (1933) and El reino de este mundo (1949)
This paper reflects on the character of the black subject in two works by Alejo Carpentier: Écue-Yamba-Ó (1933) and El reino de este mundo (1949). For this purpose, an account is made of the plots and characters of the works, as well as the context in which they were produced, certain critical appro...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2023 |
| País: | Ecuador |
| Institución: | Universidad Andina Simón Bolivar |
| Repositorio: | Revista Andina de Letras y Estudios Culturales |
| Idioma: | español |
| OAI Identifier: | oai:revistas.uasb.edu.ec:article/4225 |
| Acceso en línea: | https://revistas.uasb.edu.ec/index.php/kipus/article/view/4225 |
| Access Level: | acceso abierto |
| Palabra clave: | negrismo crítica literaria afrolatinoamérica política literatura Alejo Carpentier Negrism Literary Criticism Afro-Latin America Politics Literature |
| Sumario: | This paper reflects on the character of the black subject in two works by Alejo Carpentier: Écue-Yamba-Ó (1933) and El reino de este mundo (1949). For this purpose, an account is made of the plots and characters of the works, as well as the context in which they were produced, certain critical approaches to them and some theoretical tools taken from the social sciences and the humanities. The purpose of this article is to understand various changes that occurred between the production of these works, with emphasis on their understanding of the black subject as a political subject. |
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