Mural inscription as politics: (counter) power in October 2019 graffiti
The first days of October 2019 took place one of the largest mobilizations of the last decades in the country. The present study examines the intervention with graphic inscriptions in those days of protest. The political participation that graffiti had during the popular uprising in Quito is reviewe...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | Ecuador |
| Institución: | Universidad Central del Ecuador |
| Repositorio: | Revista Contextos |
| Idioma: | español |
| OAI Identifier: | oai:revistadigital.uce.edu.ec:article/2944 |
| Acceso en línea: | https://revistadigital.uce.edu.ec/index.php/CONTEXTOS/article/view/2944 |
| Access Level: | acceso abierto |
| Palabra clave: | comunicación visual visualidad cultura visual grafiti levantamiento de octubre de 2019 |
| Sumario: | The first days of October 2019 took place one of the largest mobilizations of the last decades in the country. The present study examines the intervention with graphic inscriptions in those days of protest. The political participation that graffiti had during the popular uprising in Quito is reviewed. This essay exposes the articulation of the visual to a social process to analyze about politics and visuality. The article explores the dispute of meanings that takes place within the production of contemporary visual processes such as graffiti. |
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