La muerte me da (2007), by Cristina Rivera Garza. Dismembered bodies and degen(d)eration or instructions to read a novel
La muerte me da (2007), by Cristina Rivera Garza, is a fragmentary novel composed of various members and sections that appear, severed from each other, starting with the title, and that continue to be scattered throughout the text. Such members manifest two tendencies. The first one corresponds to s...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2018 |
| País: | Ecuador |
| Institución: | Universidad Andina Simón Bolivar |
| Repositorio: | Revista Andina de Letras y Estudios Culturales |
| Idioma: | español |
| OAI Identifier: | oai:revistas.uasb.edu.ec:article/1034 |
| Acceso en línea: | https://revistas.uasb.edu.ec/index.php/kipus/article/view/1034 |
| Access Level: | acceso abierto |
| Palabra clave: | Cristina Rivera Garza La muerte me da (2007) novela contemporánea transtextualidad destextualidad estética citacionista desapropiación contemporary novel trans-textuality de-textuality citationist aesthetics dis-appropiation |
| Sumario: | La muerte me da (2007), by Cristina Rivera Garza, is a fragmentary novel composed of various members and sections that appear, severed from each other, starting with the title, and that continue to be scattered throughout the text. Such members manifest two tendencies. The first one corresponds to sentence fragmentation, which becomes word fragmentation, as well as fragmentation of the body within/of the novel. The second one corresponds to citationist aesthetics and dis-appropiation, resulting in degen(d)eration. This article intends to look within this slashed body in order to read the the displacement of the trans-textual into the de-textual, wich refers to the opening of meaning, denial, reversal of significance, deprivation, affirmation and excess. |
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