Matate, Débil, Precoz: Language drifts in Ariana Harwicz’s trilogy
The trilogy by Argentinian writer Ariana Harwicz, which brings together the novels Matate, amor, La débil mental y Precoz, is analyzed in this article with basis on the ways in which language translates and materializes the experience of the female body as traversed by the violent and paradoxical pr...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Ecuador |
| Institución: | Universidad Andina Simón Bolivar |
| Repositorio: | Revista Andina de Letras y Estudios Culturales |
| Idioma: | español |
| OAI Identifier: | oai:revistas.uasb.edu.ec:article/1036 |
| Acceso en línea: | https://revistas.uasb.edu.ec/index.php/kipus/article/view/1036 |
| Access Level: | acceso abierto |
| Palabra clave: | Ariana Harwicz Argentina novela maternidad y abyección fenomenología y lenguaje palabra y performatividad novel maternity and abjection phenomenology and language word and performativity |
| Sumario: | The trilogy by Argentinian writer Ariana Harwicz, which brings together the novels Matate, amor, La débil mental y Precoz, is analyzed in this article with basis on the ways in which language translates and materializes the experience of the female body as traversed by the violent and paradoxical presence of the maternal. |
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