Mitos y utopías en las novelas Nuestro pan y Don Goyo (Crítica)
This research sets out the process of nature´s mythological-symbolical transfiguration made by the cholo and the montuvio of the Ecuadorian coast, depicted by two novels of the 1930’s generation, Nuestro pan, by Enrique Gil Gilbert and Don Goyo by Demetrio Aguilera Malta. This process implies, at th...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2017 |
| País: | Ecuador |
| Institución: | Universidad Andina Simón Bolivar |
| Repositorio: | Repositorio Universidad Andina Simón Bolivar |
| Idioma: | español |
| OAI Identifier: | oai:repositorio.uasb.edu.ec:10644/7351 |
| Acceso en línea: | http://hdl.handle.net/10644/7351 |
| Access Level: | acceso abierto |
| Palabra clave: | NOVELA ECUATORIANA GIL GILBERT, ENRIQUE, 1912-1973 AGUILERA MALTA, DEMETRIO, 1909-1981 CHOLOS MONTUVIOS CRÍTICA LITERARIA |
| Sumario: | This research sets out the process of nature´s mythological-symbolical transfiguration made by the cholo and the montuvio of the Ecuadorian coast, depicted by two novels of the 1930’s generation, Nuestro pan, by Enrique Gil Gilbert and Don Goyo by Demetrio Aguilera Malta. This process implies, at the same time, the assumption of a utopia, that is, a collective hope, related to the possibility that this transfigured nature may be maintained, in spite of of the irruption of modern life (internal migrations, external migrations, implementation of the machine in the cultivation of rice) that threatens to destroy all this collective hope, in which orality plays a very important role. |
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