César Dávila Andrade: between poet-individual and empirical-individual
This text examines the irruption in the concert of the avant-garde of Ecuadorian and Latin American poetry of the 1930’s decade of the 20th century by a very young Dávila Andrade, with a poem whose maturity and audacity does not cease to amaze both people and strangers to date; also the impact that...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2018 |
| País: | Ecuador |
| Institución: | Universidad Andina Simón Bolivar |
| Repositorio: | Revista Andina de Letras y Estudios Culturales |
| Idioma: | español |
| OAI Identifier: | oai:revistas.uasb.edu.ec:article/1133 |
| Acceso en línea: | https://revistas.uasb.edu.ec/index.php/kipus/article/view/1133 |
| Access Level: | acceso abierto |
| Palabra clave: | Ecuador vanguardia poesía César Dávila Andrade sujeto empírico vanguard poetry subject empirical |
| Sumario: | This text examines the irruption in the concert of the avant-garde of Ecuadorian and Latin American poetry of the 1930’s decade of the 20th century by a very young Dávila Andrade, with a poem whose maturity and audacity does not cease to amaze both people and strangers to date; also the impact that his early and lucid poetic exercise produced in the social and cultural environment of his city of origin, Cuenca, as well as his condition as a subject that always knew how to move in what the author of the article, citing Eugenio Montale, defines as between “the poet-subject and the empirical subject” |
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