The labyrinth in the poetry of Iván Carvajal

The poetic word of Iván Carvajal Aguirre develops, by means of a lucid text, the subject of the labyrinth. It demonstrates how the subject’s discourse is hyperconscious of the writing process. Using two symbolic figures, both animal-like, the lyrical enunciator is a cicerone that leads the reader to...

Descripción completa

Detalles Bibliográficos
Autor: Mussó, Luis Carlos
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2019
País:Ecuador
Institución:Universidad Andina Simón Bolivar
Repositorio:Revista Andina de Letras y Estudios Culturales
Idioma:español
OAI Identifier:oai:revistas.uasb.edu.ec:article/1386
Acceso en línea:https://revistas.uasb.edu.ec/index.php/kipus/article/view/1386
Access Level:acceso abierto
Palabra clave:poesía ecuatoriana
escritura
metapoesía
Iván Carvajal
laberinto
Ecuadorian poetry
writing, metapoetry, labyrinth
id EC_b82f978668d32debbd5db1c83f020aec
oai_identifier_str oai:revistas.uasb.edu.ec:article/1386
network_acronym_str EC
network_name_str Ecuador
repository_id_str
spelling The labyrinth in the poetry of Iván CarvajalEl laberinto en la poesía de Iván CarvajalMussó, Luis Carlospoesía ecuatorianaescriturametapoesíaIván CarvajallaberintoEcuadorian poetryIván Carvajalwriting, metapoetry, labyrinthThe poetic word of Iván Carvajal Aguirre develops, by means of a lucid text, the subject of the labyrinth. It demonstrates how the subject’s discourse is hyperconscious of the writing process. Using two symbolic figures, both animal-like, the lyrical enunciator is a cicerone that leads the reader towards the certainty that the labyrinth may be entered but not exited (there is no Ariadne’s thread). Present are the monstrous minotaur, that reigns over his labyrinth on the surface, and the mole, which does the same in his underground labyrinth, that represent the poet in his trials and propositions during the writing process.La palabra poética de Iván Carvajal Aguirre desarrolla, a través de un lúcido texto, el tópico del laberinto. Este demuestra de qué manera el discurso del sujeto es hiperconsciente del proceso de escritura. Por medio de dos figuras simbólicas, animalescas ambas, el enunciante lírico es un cicerone que conduce al lector hacia la certeza de que al laberinto se ingresa pero no se sale (no existe hilo de Ariadna alguno). Están el monstruoso minotauro, que reina en su laberinto de la superficie, y el topo, que lo hace en su laberinto subterráneo, que representan al poeta en sus aproximaciones y tanteos durante el proceso de escritura.Universidad Andina Simón Bolívar, Sede Ecuador2019-11-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmltext/xmlhttps://revistas.uasb.edu.ec/index.php/kipus/article/view/138610.32719/13900102.2019.46.7Kipus: Revista Andina de Letras y Estudios Culturales; No. 46 (2019): Mimesis from Latin America; 129-141Kipus: Revista Andina de Letras y Estudios Culturales; Núm. 46 (2019): Mímesis desde América Latina; 129-1412600-57511390-0102reponame:Revista Andina de Letras y Estudios Culturalesinstname:Universidad Andina Simón Bolivarinstacron:UASBspahttps://revistas.uasb.edu.ec/index.php/kipus/article/view/1386/1245https://revistas.uasb.edu.ec/index.php/kipus/article/view/1386/3234https://revistas.uasb.edu.ec/index.php/kipus/article/view/1386/3204https://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccess2022-07-28T19:18:25Zoai:revistas.uasb.edu.ec:article/1386Portal de revistashttps://revistas.uasb.edu.ec/index.php/kipusInstitución privadahttp://www.uasb.edu.ec/https://revistas.uasb.edu.ec/index.php/kipus/oaiEcuador2600-57511390-0102opendoar:02022-07-28T19:18:25falsePortal de revistashttps://revistas.uasb.edu.ec/index.php/kipusInstitución privadahttp://www.uasb.edu.ec/https://revistas.uasb.edu.ec/index.php/kipus/oaiEcuador2600-57511390-0102opendoar:02022-07-28T19:18:25Revista Andina de Letras y Estudios Culturales - Universidad Andina Simón Bolivarfalse
dc.title.none.fl_str_mv The labyrinth in the poetry of Iván Carvajal
El laberinto en la poesía de Iván Carvajal
title The labyrinth in the poetry of Iván Carvajal
spellingShingle The labyrinth in the poetry of Iván Carvajal
Mussó, Luis Carlos
poesía ecuatoriana
escritura
metapoesía
Iván Carvajal
laberinto
Ecuadorian poetry
Iván Carvajal
writing, metapoetry, labyrinth
title_short The labyrinth in the poetry of Iván Carvajal
title_full The labyrinth in the poetry of Iván Carvajal
title_fullStr The labyrinth in the poetry of Iván Carvajal
title_full_unstemmed The labyrinth in the poetry of Iván Carvajal
title_sort The labyrinth in the poetry of Iván Carvajal
dc.creator.none.fl_str_mv Mussó, Luis Carlos
author Mussó, Luis Carlos
author_facet Mussó, Luis Carlos
author_role author
dc.subject.none.fl_str_mv poesía ecuatoriana
escritura
metapoesía
Iván Carvajal
laberinto
Ecuadorian poetry
Iván Carvajal
writing, metapoetry, labyrinth
topic poesía ecuatoriana
escritura
metapoesía
Iván Carvajal
laberinto
Ecuadorian poetry
Iván Carvajal
writing, metapoetry, labyrinth
description The poetic word of Iván Carvajal Aguirre develops, by means of a lucid text, the subject of the labyrinth. It demonstrates how the subject’s discourse is hyperconscious of the writing process. Using two symbolic figures, both animal-like, the lyrical enunciator is a cicerone that leads the reader towards the certainty that the labyrinth may be entered but not exited (there is no Ariadne’s thread). Present are the monstrous minotaur, that reigns over his labyrinth on the surface, and the mole, which does the same in his underground labyrinth, that represent the poet in his trials and propositions during the writing process.
publishDate 2019
dc.date.none.fl_str_mv 2019-11-20
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistas.uasb.edu.ec/index.php/kipus/article/view/1386
10.32719/13900102.2019.46.7
url https://revistas.uasb.edu.ec/index.php/kipus/article/view/1386
identifier_str_mv 10.32719/13900102.2019.46.7
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.uasb.edu.ec/index.php/kipus/article/view/1386/1245
https://revistas.uasb.edu.ec/index.php/kipus/article/view/1386/3234
https://revistas.uasb.edu.ec/index.php/kipus/article/view/1386/3204
dc.rights.none.fl_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/html
text/xml
dc.publisher.none.fl_str_mv Universidad Andina Simón Bolívar, Sede Ecuador
publisher.none.fl_str_mv Universidad Andina Simón Bolívar, Sede Ecuador
dc.source.none.fl_str_mv Kipus: Revista Andina de Letras y Estudios Culturales; No. 46 (2019): Mimesis from Latin America; 129-141
Kipus: Revista Andina de Letras y Estudios Culturales; Núm. 46 (2019): Mímesis desde América Latina; 129-141
2600-5751
1390-0102
reponame:Revista Andina de Letras y Estudios Culturales
instname:Universidad Andina Simón Bolivar
instacron:UASB
instname_str Universidad Andina Simón Bolivar
instacron_str UASB
institution UASB
reponame_str Revista Andina de Letras y Estudios Culturales
collection Revista Andina de Letras y Estudios Culturales
repository.name.fl_str_mv Revista Andina de Letras y Estudios Culturales - Universidad Andina Simón Bolivar
repository.mail.fl_str_mv
_version_ 1869000002683011072
score 15,300719

Similares en LA Referencia