Sobre la bolsa y la contención en Bruna, soroche y los tíos (1973) de Alicia Yánez Cossío [Crítica]
Le Guin and recontextualizes it to the novel Bruna, soroche y los tíos (1973) by Ecuadorian Alicia Yánez Cossío; novel of which this 2023 marks the 50th anniversary of its release. Beginning with Le Guin’s definition of what corresponds to masculine literature and its counterpart, what corresponds t...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2023 |
| País: | Ecuador |
| Institución: | Universidad Andina Simón Bolivar |
| Repositorio: | Repositorio Universidad Andina Simón Bolivar |
| Idioma: | español |
| OAI Identifier: | oai:repositorio.uasb.edu.ec:10644/9498 |
| Acceso en línea: | http://hdl.handle.net/10644/9498 |
| Access Level: | acceso abierto |
| Palabra clave: | YÁNEZ COSSÍO, ALICIA, 1928- NOVELA ECUATORIANA MUJERES EN LA LITERATURA LE GUIN, ÚRSULA KROEBER, 1929-2018 LITERATURA ESTADOUNIDENSE CRÍTICA LITERARIA CRITICISM FEMINIST |
| Sumario: | Le Guin and recontextualizes it to the novel Bruna, soroche y los tíos (1973) by Ecuadorian Alicia Yánez Cossío; novel of which this 2023 marks the 50th anniversary of its release. Beginning with Le Guin’s definition of what corresponds to masculine literature and its counterpart, what corresponds to feminine literature, stillness is defended as an attribute of feminine literature and action is criticized as a force that moves masculine literature. Then, points of encounter between the two writers are spun, specifically in their critique of the patriarchal model, and Yánez Cossío’s novel is explored under Le Guin’s theoretical framework. With this, the essay stops at an exploration of the narrative form that the novel employs to contain both the affections and memories of the protagonist’s place of origin, and then chooses to depart in a significant gesture of rupture. |
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