Muerte y memoria como dispositivos narrativos en Los recuerdos del porvenir, de Elena Garro (Dossier: Muertos que narran)
Los recuerdos del porvenir (1963), by Elena Garro, is one of the most discussed (and perhaps least read) novels of modern Mexican narrative. The work signified the author’s entry into the field of narrative, occupying, since then, a central place in Mexican literature. This article analyzes the narr...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | Ecuador |
| Institución: | Universidad Andina Simón Bolivar |
| Repositorio: | Repositorio Universidad Andina Simón Bolivar |
| Idioma: | español |
| OAI Identifier: | oai:repositorio.uasb.edu.ec:10644/9699 |
| Acceso en línea: | http://hdl.handle.net/10644/9699 |
| Access Level: | acceso abierto |
| Palabra clave: | NARRATIVA MEXICANA GARRO NAVARRO, ELENA DELFINA MEMORIA MUERTE EN LA LITERATURA CRÍTICA LITERARIA MEMORY |
| Sumario: | Los recuerdos del porvenir (1963), by Elena Garro, is one of the most discussed (and perhaps least read) novels of modern Mexican narrative. The work signified the author’s entry into the field of narrative, occupying, since then, a central place in Mexican literature. This article analyzes the narrative strategies deployed within the novel to describe the way in which the main narrator, the town of Ixtepec, is stealthily displaced by the inhabitants and characters of the text. |
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