Lo extraficcional en La casa de los locos y La Señorita Ecuador, las primeras novelas de Alfredo Pareja Diezcanseco
The author reviews the first two novels written by Pareja Diezcanseco, structural elements outside of the world of novels, provided by an extra-fictional voice (prefaces, epilogues, footnotes). La casa de los locos is a satire of a society in anarchy, which shows the chaotic actions 01 the ruling cl...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2008 |
| País: | Ecuador |
| Institución: | Universidad Andina Simón Bolivar |
| Repositorio: | Revista Andina de Letras y Estudios Culturales |
| Idioma: | español |
| OAI Identifier: | oai:revistas.uasb.edu.ec:article/732 |
| Acceso en línea: | https://revistas.uasb.edu.ec/index.php/kipus/article/view/732 |
| Access Level: | acceso abierto |
| Palabra clave: | Vanguardismo narrativa ecuatoriana narrativa de la década de 1930 voz extraficcional autor implícito texto poética Vanguard Ecuadorian Fiction 1930's fiction extra-fictional voice implied author text poetics. |
| Sumario: | The author reviews the first two novels written by Pareja Diezcanseco, structural elements outside of the world of novels, provided by an extra-fictional voice (prefaces, epilogues, footnotes). La casa de los locos is a satire of a society in anarchy, which shows the chaotic actions 01 the ruling classes and 10reshadows the deformed sodalios (members 01 a revolutionary organization) of Las pequeñas estaturas (Those of Small Stature); in it is the great importance to «emove», in that the extra-lictional voice speaks 01 the poetics 01 writing: this can then become a cultural and ideological weapon. In La Señorita Ecuador, one 01 the extrafictional elements, the epilogue, clarifies and justifies the work's designation as a novel. These elements constitute, in both works, an indispensable counterpoint to the understanding of the feeling and social critique implicit in such textual fiction. |
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