Novela, testimonio y memoria: consideraciones para la creación de representaciones dentro y fuera de la historia (Estudios)
The current work proposes to observe how a literary text can complement the senses that a conglomerate gives to a historical event of national importance or, even, be the access to that memory, with the purpose of bringing the event and its senses to the present and articulate them to a contemporary...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2015 |
| País: | Ecuador |
| Institución: | Universidad Andina Simón Bolivar |
| Repositorio: | Repositorio Universidad Andina Simón Bolivar |
| Idioma: | español |
| OAI Identifier: | oai:repositorio.uasb.edu.ec:10644/6818 |
| Acceso en línea: | http://hdl.handle.net/10644/6818 |
| Access Level: | acceso abierto |
| Palabra clave: | LITERATURA Y SOCIEDAD NOVELA MEMORIA HISTÓRICA MEMORIA SOCIAL TESTIMONIO GALLEGOS LARA, JOAQUÍN, 1911-1947 GENERACIÓN DEL 30 |
| Sumario: | The current work proposes to observe how a literary text can complement the senses that a conglomerate gives to a historical event of national importance or, even, be the access to that memory, with the purpose of bringing the event and its senses to the present and articulate them to a contemporary context. Thus, both the fact and the literary text can assume new functions or meanings in a social framework. For this, the author addresses the perspectives of Maurice Halbwachs and Paul Ricoer, mainly on memory and assumes two types of texts: Las cruces sobre el agua by Joaquín Gallegos Lara (literary) and the collection of testimonies of some survivors of the massacre of November 15th, 1922 (of a historical nature). |
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