Flaws in the Living Machine. Architecture, Botany and Affect in Las horas claras by Jacqueline Goldberg

The purpose of this article is to read Las horas claras (2013) by Jacqueline Goldberg as a means to reveal the ways that this novel, through its “trans-gender” condition, intervenes in official history and proposes a poetics of non-belonging based on the gesture of cracking the topos of the house as...

ver descrição completa

Detalhes bibliográficos
Autor: Saraceni, Gina
Formato: artículo
Estado:Versión publicada
Fecha de publicación:2020
País:Ecuador
Recursos:Universidad Andina Simón Bolivar
Repositorio:Revista Andina de Letras y Estudios Culturales
Idioma:español
OAI Identifier:oai:revistas.uasb.edu.ec:article/1581
Acesso em linha:https://revistas.uasb.edu.ec/index.php/kipus/article/view/1581
Access Level:acceso abierto
Palavra-chave:Jacqueline Golberg
novela venezolana
máquina de habitar
arquitectura
modernidad
mujer
espacio propio
casa familiar
afectos
devenir vegetal
literatura
mocología
planta
Venezuelan novel
living machine
architecture
modernity
women
family household
affects
becoming-vegetables
Descrição
Resumo:The purpose of this article is to read Las horas claras (2013) by Jacqueline Goldberg as a means to reveal the ways that this novel, through its “trans-gender” condition, intervenes in official history and proposes a poetics of non-belonging based on the gesture of cracking the topos of the house as a common space of human dwelling. This is also perceived as a form of intervening in literary dwelling by decentering its limits towards other experiences and knowledges such as architecture, botany and culinary. For Goldberg, narrating the life of a French woman in the first half of the 20th century, entails thinking of existence as an inedible fungus, as a green grapefruit that intoxicates and provokes death. In this way, her writing breaks down the hierarchy between human and non-human life to show how the living also expresses negative affects that operate to destroy