Lineage, territory and image in Ramal by Cynthia Rimsky
This paper analyzes the novel Ramal (2011), by Cynthia Rimsky, searching for the particular relationships between space and image. On the one hand, the material characteristics of photographic images in the novel are analyzed to understand how they dialogue with, and intervene in, the configuration...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Ecuador |
| Institución: | Universidad Andina Simón Bolivar |
| Repositorio: | Revista Andina de Letras y Estudios Culturales |
| Idioma: | español |
| OAI Identifier: | oai:revistas.uasb.edu.ec:article/1040 |
| Acceso en línea: | https://revistas.uasb.edu.ec/index.php/kipus/article/view/1040 |
| Access Level: | acceso abierto |
| Palabra clave: | Chile Cynthia Rimsky paisaje imagen linaje narrativa landscape image lineage narrative |
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Lineage, territory and image in Ramal by Cynthia RimskyLinaje, territorio e imagen en Ramal de Cynthia RimskyAlcívar Bellolio, Daniela ChileCynthia RimskypaisajeimagenlinajenarrativaChileCynthia RimskylandscapeimagelineagenarrativeThis paper analyzes the novel Ramal (2011), by Cynthia Rimsky, searching for the particular relationships between space and image. On the one hand, the material characteristics of photographic images in the novel are analyzed to understand how they dialogue with, and intervene in, the configuration of the verbal narration and its particular tones and operations of display and invisibility. On the other hand, landscape is thought of as a fundamental device for the narrative policy of the novel. The main object of this article is the articulation developed by these two devices in order to generate an ambiguous and problematic characterization of the protagonist’s genealogy.El trabajo examina la novela Ramal (2011) de Cynthia Rimsky en busca de las particulares relaciones presentes entre espacio e imagen. Se analizan, por un lado, las características materiales de las imágenes fotográficas de la novela para comprender cómo dialogan con e intervienen en la configuración de la narración verbal y sus particulares tonos y operaciones de mostración e invisibilización. Por otro, se piensa el paisaje en tanto que dispositivo fundamental para la política narrativa de la novela. La articulación que estos dos dispositivos elaboran para generar una caracterización, ambigua y problemática, de la genealogía del protagonista es el objeto principal del presente artículo.Universidad Andina Simón Bolívar, Sede Ecuador2022-06-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmltext/xmlhttps://revistas.uasb.edu.ec/index.php/kipus/article/view/104010.32719/13900102.2018.44.7Kipus: Revista Andina de Letras y Estudios Culturales; No. 44 (2018): Producing the present: Touching the body, writing, women, landscapes, affection; 117-131Kipus: Revista Andina de Letras y Estudios Culturales; Núm. 44 (2018): Producir presente: tocar el cuerpo, escritura, mujeres, paisajes, afectos; 117-1312600-57511390-0102reponame:Revista Andina de Letras y Estudios Culturalesinstname:Universidad Andina Simón Bolivarinstacron:UASBspahttps://revistas.uasb.edu.ec/index.php/kipus/article/view/1040/937https://revistas.uasb.edu.ec/index.php/kipus/article/view/1040/1077https://revistas.uasb.edu.ec/index.php/kipus/article/view/1040/3177https://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccess2022-07-28T19:43:10Zoai:revistas.uasb.edu.ec:article/1040Portal de revistashttps://revistas.uasb.edu.ec/index.php/kipusInstitución privadahttp://www.uasb.edu.ec/https://revistas.uasb.edu.ec/index.php/kipus/oaiEcuador2600-57511390-0102opendoar:02022-07-28T19:43:10falsePortal de revistashttps://revistas.uasb.edu.ec/index.php/kipusInstitución privadahttp://www.uasb.edu.ec/https://revistas.uasb.edu.ec/index.php/kipus/oaiEcuador2600-57511390-0102opendoar:02022-07-28T19:43:10Revista Andina de Letras y Estudios Culturales - Universidad Andina Simón Bolivarfalse |
| dc.title.none.fl_str_mv |
Lineage, territory and image in Ramal by Cynthia Rimsky Linaje, territorio e imagen en Ramal de Cynthia Rimsky |
| title |
Lineage, territory and image in Ramal by Cynthia Rimsky |
| spellingShingle |
Lineage, territory and image in Ramal by Cynthia Rimsky Alcívar Bellolio, Daniela Chile Cynthia Rimsky paisaje imagen linaje narrativa Chile Cynthia Rimsky landscape image lineage narrative |
| title_short |
Lineage, territory and image in Ramal by Cynthia Rimsky |
| title_full |
Lineage, territory and image in Ramal by Cynthia Rimsky |
| title_fullStr |
Lineage, territory and image in Ramal by Cynthia Rimsky |
| title_full_unstemmed |
Lineage, territory and image in Ramal by Cynthia Rimsky |
| title_sort |
Lineage, territory and image in Ramal by Cynthia Rimsky |
| dc.creator.none.fl_str_mv |
Alcívar Bellolio, Daniela |
| author |
Alcívar Bellolio, Daniela |
| author_facet |
Alcívar Bellolio, Daniela |
| author_role |
author |
| dc.subject.none.fl_str_mv |
Chile Cynthia Rimsky paisaje imagen linaje narrativa Chile Cynthia Rimsky landscape image lineage narrative |
| topic |
Chile Cynthia Rimsky paisaje imagen linaje narrativa Chile Cynthia Rimsky landscape image lineage narrative |
| description |
This paper analyzes the novel Ramal (2011), by Cynthia Rimsky, searching for the particular relationships between space and image. On the one hand, the material characteristics of photographic images in the novel are analyzed to understand how they dialogue with, and intervene in, the configuration of the verbal narration and its particular tones and operations of display and invisibility. On the other hand, landscape is thought of as a fundamental device for the narrative policy of the novel. The main object of this article is the articulation developed by these two devices in order to generate an ambiguous and problematic characterization of the protagonist’s genealogy. |
| publishDate |
2022 |
| dc.date.none.fl_str_mv |
2022-06-15 |
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info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
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article |
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publishedVersion |
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https://revistas.uasb.edu.ec/index.php/kipus/article/view/1040 10.32719/13900102.2018.44.7 |
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https://revistas.uasb.edu.ec/index.php/kipus/article/view/1040 |
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10.32719/13900102.2018.44.7 |
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spa |
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spa |
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https://revistas.uasb.edu.ec/index.php/kipus/article/view/1040/937 https://revistas.uasb.edu.ec/index.php/kipus/article/view/1040/1077 https://revistas.uasb.edu.ec/index.php/kipus/article/view/1040/3177 |
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https://creativecommons.org/licenses/by-nc-sa/4.0 info:eu-repo/semantics/openAccess |
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https://creativecommons.org/licenses/by-nc-sa/4.0 |
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openAccess |
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application/pdf text/html text/xml |
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Universidad Andina Simón Bolívar, Sede Ecuador |
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Universidad Andina Simón Bolívar, Sede Ecuador |
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Kipus: Revista Andina de Letras y Estudios Culturales; No. 44 (2018): Producing the present: Touching the body, writing, women, landscapes, affection; 117-131 Kipus: Revista Andina de Letras y Estudios Culturales; Núm. 44 (2018): Producir presente: tocar el cuerpo, escritura, mujeres, paisajes, afectos; 117-131 2600-5751 1390-0102 reponame:Revista Andina de Letras y Estudios Culturales instname:Universidad Andina Simón Bolivar instacron:UASB |
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