Más allá de la identidad de género: sexualidad y transgresión en Sopa de caracol de Arturo Arias
In this essay we propose an interpretation of the novel Sopa de caracol (2002) by Guatemalan writer Arturo Arias based on the role of sexuality in the desubjetivization of the protagonist. We also analyze how the aesthetic of the grotesque and the carnivalesque model are set in motion to destabilize...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2016 |
| País: | Costa Rica |
| Institución: | Universidad Nacional de Costa Rica |
| Repositorio: | Portal de Revistas UNA |
| Idioma: | español |
| OAI Identifier: | oai:ojs.www.una.ac.cr:article/8748 |
| Acceso en línea: | https://www.revistas.una.ac.cr/index.php/istmica/article/view/8748 |
| Access Level: | acceso abierto |
| Palabra clave: | Central American novel post-war gender identity sexuality desubjectivization. novela centroamericana posguerra identidad de género sexualidad desubjetivación. |
| Sumario: | In this essay we propose an interpretation of the novel Sopa de caracol (2002) by Guatemalan writer Arturo Arias based on the role of sexuality in the desubjetivization of the protagonist. We also analyze how the aesthetic of the grotesque and the carnivalesque model are set in motion to destabilize gender identity and thus demonstrate its inability to reconstruct itself after the catastrophe of war. |
|---|