The (Re)Construction of Identities in Popular Andean Music in Peru: A Field of Cultural Dispute and Negotiation
This paper analyzes the construction and transformation of the cultural identities in Peru: a complex, multidimensional, conflicting, and dynamic process in which local, national, global, polítical, and historical referents that involve individual and collective subjects fight for hegemony...
| Authors: | , |
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| Format: | article |
| Status: | Published version |
| Publication Date: | 2011 |
| Country: | Costa Rica |
| Institution: | Universidad Nacional de Costa Rica |
| Repository: | Portal de Revistas UNA |
| Language: | Spanish |
| OAI Identifier: | oai:ojs.www.una.ac.cr:article/4475 |
| Online Access: | https://www.revistas.una.ac.cr/index.php/ensayospedagogicos/article/view/4475 |
| Access Level: | Open access |
| Keyword: | identidades culturales multidimensional referentes locales nacionales hegemonía música popular andina transformaciones demográficas dominantes dominados cultural identities local and national referents hegemony Andes folk music demographic transformations dominant and dominating subjects |
| Summary: | This paper analyzes the construction and transformation of the cultural identities in Peru: a complex, multidimensional, conflicting, and dynamic process in which local, national, global, polítical, and historical referents that involve individual and collective subjects fight for hegemony. The Andes regional folk music is one of the scenarios that offer the biggest and richest elements in cultural identity studies. |
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