Sinister and Changing Political Model in Costa Rica. Three Plays by Contemporary Female Playwrights.
In this text three recent Costa Rican plays of contemporary female writers with political content are analyzed. The plays are analyzed in the light of the notions of the sinister (Schelling, Freud) and what I have elsewhere called the “myth of Costa Rican exceptionalism”. The works considered are: L...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2014 |
| País: | Costa Rica |
| Institución: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Idioma: | español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/17448 |
| Acceso en línea: | https://revistas.ucr.ac.cr/index.php/escena/article/view/17448 |
| Access Level: | acceso abierto |
| Palabra clave: | sinister Costa Rican theater contemporary female playwrighters myth of exceptionalism siniestro teatro costarricense dramaturgas contemporáneas mito de la excepcionalidad |
| Sumario: | In this text three recent Costa Rican plays of contemporary female writers with political content are analyzed. The plays are analyzed in the light of the notions of the sinister (Schelling, Freud) and what I have elsewhere called the “myth of Costa Rican exceptionalism”. The works considered are: La Loca, Ana Istarú monologue, Dicen las paredes, by Ailyn Morera, y Pentadrama, by Claudia Barrionuevo and Walter Fernández. |
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