Spaces, Limits, and Frontiers Towards The Beautiful and The Ugly Corposphere in "Ondina" by Carmen Naranjo
This research focuses on the study of body semiotic, specifically in the beautiful and the ugly corposphere in the homonymous character Ondina. For this purpose, there are considered some semiotic concepts like: spaces, limits, and frontiers (Finol, 2014a), which are established around Ondinaʼs body...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | Costa Rica |
| Institución: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Idioma: | español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/41055 |
| Acceso en línea: | https://revistas.ucr.ac.cr/index.php/filyling/article/view/41055 |
| Access Level: | acceso abierto |
| Palabra clave: | corposphere limits frontiers Ondina Carmen Naranjo corposfera límites fronteras |
| Sumario: | This research focuses on the study of body semiotic, specifically in the beautiful and the ugly corposphere in the homonymous character Ondina. For this purpose, there are considered some semiotic concepts like: spaces, limits, and frontiers (Finol, 2014a), which are established around Ondinaʼs body and in relation to the character called Vega, who expects an approach to Ondina throughout the story. The results demonstrate that the spaces moved by characters, with the bordering and border demarcations, play an important role in the semiotic process of Ondinaʼs body like a complex significance system in which there are combined the beauty and the ugliness. |
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