Woody Allen lee a Dostoievski.
The article makes a comparison between two films of Woody Allen, Crimes and Misdemeanors and Match Point, and the fictional inter-text of Dostoyevsky. This author concludes that Woody Allen constructs a re-reading of the ethical problems derived from the atheism from which Dostoyevsky categorically...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2012 |
| País: | Costa Rica |
| Institución: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Idioma: | español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/1121 |
| Acceso en línea: | https://revistas.ucr.ac.cr/index.php/filyling/article/view/1121 |
| Access Level: | acceso abierto |
| Palabra clave: | Fyodor Dostoyevsky Woody Allen Russian Literature Literature of the nineteenth century novels of Dostoyevsky North American cinema Fiódor Dostoievski literatura rusa literatura del siglo XIX novelas de Dostoievski cine norteamericano |
| Sumario: | The article makes a comparison between two films of Woody Allen, Crimes and Misdemeanors and Match Point, and the fictional inter-text of Dostoyevsky. This author concludes that Woody Allen constructs a re-reading of the ethical problems derived from the atheism from which Dostoyevsky categorically separates himself, and although the Russian asserts that a moral order underlies the universe, Allen proposes that such order not only does not exist, but its absence demonstrates the nonexistence of God. |
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