Las dos caras del “kitsch”: arte del mentir o mentira artística
This essay offers a general overview about the Kitsch, which refers to the counterfeit, imitation, copy, aesthetic disappointment and denial of itself to the boundaries of self deceit. It prosecutes the “bad art” as a part of their production and mass and commercial reproduction, registered within a...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2013 |
| País: | Costa Rica |
| Institución: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Idioma: | español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/12374 |
| Acceso en línea: | https://revistas.ucr.ac.cr/index.php/rlm/article/view/12374 |
| Access Level: | acceso abierto |
| Palabra clave: | kitsch newkitsch hiper-kitsch kitschification aesthetics style art lie pseudo-artists neokitsch hiperkitsch kitschificación estética estilo arte mentira pseudo-artistas |
| Sumario: | This essay offers a general overview about the Kitsch, which refers to the counterfeit, imitation, copy, aesthetic disappointment and denial of itself to the boundaries of self deceit. It prosecutes the “bad art” as a part of their production and mass and commercial reproduction, registered within a canon of style as way of artistically lying that sells and privileges the vulgar in numerous art fields. However, it exists an audience which stands up for it with all their sides as a free and valid choice. |
|---|