Three Moments in the Institutionalization of the Violin Profession in Costa Rica: 1941-1972
The purpose of this article is to analyze three moments that have played a key role in the development of the violinist profession in Costa Rica. The method that was used to evaluate the role played by the National Symphony Orchestra, the National Conservatory of Music, and the Youth Program of the...
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| Tipo de documento: | artigo |
| Estado: | Versão publicada |
| Data de publicação: | 2014 |
| País: | Costa Rica |
| Recursos: | Universidad de Costa Rica |
| Repositório: | Portal de Revistas UCR |
| Idioma: | espanhol |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/17520 |
| Acesso em linha: | https://revistas.ucr.ac.cr/index.php/escena/article/view/17520 |
| Access Level: | Acceso aberto |
| Palavra-chave: | violin institutionalization orchestra University conservatory music. violín institucionalización orquesta Universidad conservatorio música. |
| Resumo: | The purpose of this article is to analyze three moments that have played a key role in the development of the violinist profession in Costa Rica. The method that was used to evaluate the role played by the National Symphony Orchestra, the National Conservatory of Music, and the Youth Program of the National Symphony Orchestra of Costa Rica in the institutionalization of the violinist profession was a descriptive and qualitative analysis, guided by the concepts of field, and capital raised by the French sociologist Pierre Bourdieu. |
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