Mujeres y hombres en la ficción televisiva norteamericana hoy
Contemporary television fiction series is frequently described from concepts such as narrative risk, creativity, originality, and also transgression of technical and argumentative topics. However, some analyses conducted from epistemological non-hegemonic approaches, such as Gender Studies, feminist...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2014 |
| País: | Colombia |
| Institución: | Universidad de Medellín |
| Repositorio: | Repositorio UDEM |
| Idioma: | español |
| OAI Identifier: | oai:repository.udem.edu.co:11407/1457 |
| Acceso en línea: | http://revistas.udem.edu.co/index.php/anagramas/article/view/974 http://hdl.handle.net/11407/1457 |
| Access Level: | acceso abierto |
| Palabra clave: | Gender series fiction television popular culture aesthetics. género ficción seriada televisión cultura popular estética |
| Sumario: | Contemporary television fiction series is frequently described from concepts such as narrative risk, creativity, originality, and also transgression of technical and argumentative topics. However, some analyses conducted from epistemological non-hegemonic approaches, such as Gender Studies, feminist studies, studies on men and masculinity, LGBTI studies or Queer Theory, among others, have found that such transgressions are not always produced in relation to gender identities. Through a theoretical and aesthetic methodology, this article offers a tour through paradigmatic series with the purpose of making a reflection on the presence or absence of gender binary system |
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