El animé como lienzo para analizar las tensiones entre prácticas epistémicas ancestrales y tecnocientíficas
This essay analyzes the tensions between ancestral epistemic practices and technoscientific epistemic practices represented in the contents and narratives of Japanese anime. Based on the analysis of three anime series, interpretations are developed around these tensions, to transcend the context of...
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| Formato: | artículo |
| Estado: | Versión aceptada para publicación |
| Fecha de publicación: | 2020 |
| País: | Colombia |
| Idioma: | español |
| OAI Identifier: | oai:repositorio.cuc.edu.co:11323/6182 |
| Acesso em linha: | https://hdl.handle.net/11323/6182 http://doi.org/10.5281/zenodo.3740113 https://repositorio.cuc.edu.co/ |
| Access Level: | acceso abierto |
| Palavra-chave: | Anime Representation Ancestral epistemic practices Technoscience Animé Representación Prácticas epistémicas ancestrales Tecnociencia |
| Resumo: | This essay analyzes the tensions between ancestral epistemic practices and technoscientific epistemic practices represented in the contents and narratives of Japanese anime. Based on the analysis of three anime series, interpretations are developed around these tensions, to transcend the context of animation and bring reflections to the analogous world in the face of the current conditions of conflict between Latin American ancestral epistemic practices and western technoscientific epistemic practices. Thus, anime can be understood as an expressive and representative art, alternative to Western narratives, or as a technoscientific propaganda device. |
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