La representación de lo caribeño en dos poemarios mapuche: Fanon city meu e Industrias Chile S.A.
In the following research, it is proposed to analyze the relationship observed in the poems Fanon city meu (2014) and INDUSTRIAS CHILE S.A. (2011) with certain Imaginaries of the Caribbean area. In this work we want to account for what type of brands appear in texts related to this cultural sector a...
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| Tipo de recurso: | tesis doctoral |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | Chile |
| OAI Identifier: | oai:repositorio.anid.cl:10533/253078 |
| Acceso en línea: | https://hdl.handle.net/10533/253078 |
| Access Level: | acceso abierto |
| Palabra clave: | Humanidades Lenguage y Literatura Literatura específica |
| Sumario: | In the following research, it is proposed to analyze the relationship observed in the poems Fanon city meu (2014) and INDUSTRIAS CHILE S.A. (2011) with certain Imaginaries of the Caribbean area. In this work we want to account for what type of brands appear in texts related to this cultural sector and how Jaime Huenún and César Cabello dialogue with these imaginaries within their collections of poems. In this investigation we want to interpret the links that are possible from find in both books. In the case of Jaime Huenún, this dialogue can be observed from the title of the book of poems Fanon city meu, linking the name of the city with the surname of the martinican anticolonial thinker Frantz Fanon, as it is also the case with one of the epigraphs that links him with the poet of blackness and politician Léon-Gotran Damas, among other images that are observed in its text. For its part, Cabello incorporates within of the speakers of the book the voice of the Saint Lucian poet Derek Walcott, in addition, there is a dialogue with the form of poetic work of both bards. |
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