Tacit : A Practice as Research about Choreomusical Networks on the Thresholds of Silence and Immobility
This thesis describes and explains the development and conclusions of a type of Practice as Research in electroacoustic music and contemporary dance, which aims to identify and understand the emerging "Coreomusical Networks" (CC.NN.) in practical-creative contexts that consider the thresho...
| Autor: | |
|---|---|
| Tipo de recurso: | tesis doctoral |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Chile |
| OAI Identifier: | oai:repositorio.anid.cl:10533/42568 |
| Acceso en línea: | https://hdl.handle.net/10533/42568 |
| Access Level: | acceso abierto |
| Palabra clave: | Humanidades Arte (Artes, Historia del Arte, Artes Escénicas, Música) Artes de la Representación (musicología, teatro, dramaturgía) |
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Tacit : A Practice as Research about Choreomusical Networks on the Thresholds of Silence and Immobility Tácito : Una Investigación Práctica sobre las Redes Coreomusicales en los Umbrales de Silencio e Inmovilidad |
| title |
Tacit : A Practice as Research about Choreomusical Networks on the Thresholds of Silence and Immobility |
| spellingShingle |
Tacit : A Practice as Research about Choreomusical Networks on the Thresholds of Silence and Immobility Candela, José Miguel Humanidades Arte (Artes, Historia del Arte, Artes Escénicas, Música) Artes de la Representación (musicología, teatro, dramaturgía) |
| title_short |
Tacit : A Practice as Research about Choreomusical Networks on the Thresholds of Silence and Immobility |
| title_full |
Tacit : A Practice as Research about Choreomusical Networks on the Thresholds of Silence and Immobility |
| title_fullStr |
Tacit : A Practice as Research about Choreomusical Networks on the Thresholds of Silence and Immobility |
| title_full_unstemmed |
Tacit : A Practice as Research about Choreomusical Networks on the Thresholds of Silence and Immobility |
| title_sort |
Tacit : A Practice as Research about Choreomusical Networks on the Thresholds of Silence and Immobility |
| dc.creator.en.fl_str_mv |
Candela, José Miguel |
| author |
Candela, José Miguel |
| author_facet |
Candela, José Miguel |
| author_role |
author |
| dc.contributor.advisor.en.fl_str_mv |
Party Tolchinsky, Daniel |
| dc.contributor.institution.en.fl_str_mv |
PONTIFICIA UNIVERSIDAD CATOLICA DE CHILE |
| dc.subject.oecd1n.en.fl_str_mv |
Humanidades |
| topic |
Humanidades Arte (Artes, Historia del Arte, Artes Escénicas, Música) Artes de la Representación (musicología, teatro, dramaturgía) |
| dc.subject.oecd2n.en.fl_str_mv |
Arte (Artes, Historia del Arte, Artes Escénicas, Música) |
| dc.subject.oecd3n.en.fl_str_mv |
Artes de la Representación (musicología, teatro, dramaturgía) |
| description |
This thesis describes and explains the development and conclusions of a type of Practice as Research in electroacoustic music and contemporary dance, which aims to identify and understand the emerging "Coreomusical Networks" (CC.NN.) in practical-creative contexts that consider the thresholds of silence and immobility. Although it was a practical investigation, it was necessary to address three fundamental theoretical areas of study for its development. In the first place, that of the CC.NN. arises from the idea of choreomusical relationships (Hodgins 1992; Jordan 2000, 2015, 2020) and from the ideas of actants, agencies, and performances from the Actor-Network Theory (ANT). We believe that having developed this methodology is a resource with potentialities, useful for choreomusical analysis and creative, collaborative dance and music work. Then, the phenomenon of perceptive thresholds in those sounds that border on silence was addressed for creating "silent music," especially highlighting the work with "infrasonic music." Thirdly, the phenomenon of perceptual thresholds of movements close to immobility was studied for the creation of a "still dance." The results generated knowledge regarding the characteristics of shared attention, mainly when it occurs through what we call the "choreomusical threshold." Also, regarding the mobile aspects of the sound and the sound characteristics of the movement in the perceptive thresholds, highlighting the particular "organic" and "holistic" agencies that these adopt during their perception. Finally, conclusions were drawn on the idea of "perceptual magnetization" presented by the different movements of a "still dance" and of the particular CC.NN. that emerge thanks to the incidence of "the sculptural" in a choreomusical performance. |
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2022 |
| dc.date.accessioned.en.fl_str_mv |
2022-07-21T17:20:52Z |
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2022-07-21T17:20:52Z |
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2022 |
| dc.date.accessioned.none.fl_str_mv |
2023-05-30T12:24:55Z |
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2023-05-30T12:24:55Z |
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info:eu-repo/semantics/doctoralThesis |
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info:eu-repo/semantics/publishedVersion |
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Tesis |
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https://hdl.handle.net/10533/42568 |
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https://repositorio.uc.cl/handle/11534/63648 |
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info:eu-repo/semantics/openAccess Attribution-NonCommercial-NoDerivs 3.0 Chile |
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http://creativecommons.org/licenses/by-nc-nd/3.0/cl/ |
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PONTIFICIA UNIVERSIDAD CATOLICA DE CHILECandela, José Miguel2022https://hdl.handle.net/10533/42568http://purl.org/coar/access_right/c_abf2Artes de la Representación (musicología, teatro, dramaturgía)Arte (Artes, Historia del Arte, Artes Escénicas, Música)HumanidadesTacit : A Practice as Research about Choreomusical Networks on the Thresholds of Silence and ImmobilityParty Tolchinsky, DanielPONTIFICIA UNIVERSIDAD CATOLICA DE CHILEChileCandela, José Miguel2022-07-21T17:20:52Z2023-05-30T12:24:55Z2022-07-21T17:20:52Z2023-05-30T12:24:55Z2022This thesis describes and explains the development and conclusions of a type of Practice as Research in electroacoustic music and contemporary dance, which aims to identify and understand the emerging "Coreomusical Networks" (CC.NN.) in practical-creative contexts that consider the thresholds of silence and immobility. Although it was a practical investigation, it was necessary to address three fundamental theoretical areas of study for its development. In the first place, that of the CC.NN. arises from the idea of choreomusical relationships (Hodgins 1992; Jordan 2000, 2015, 2020) and from the ideas of actants, agencies, and performances from the Actor-Network Theory (ANT). We believe that having developed this methodology is a resource with potentialities, useful for choreomusical analysis and creative, collaborative dance and music work. Then, the phenomenon of perceptive thresholds in those sounds that border on silence was addressed for creating "silent music," especially highlighting the work with "infrasonic music." Thirdly, the phenomenon of perceptual thresholds of movements close to immobility was studied for the creation of a "still dance." The results generated knowledge regarding the characteristics of shared attention, mainly when it occurs through what we call the "choreomusical threshold." Also, regarding the mobile aspects of the sound and the sound characteristics of the movement in the perceptive thresholds, highlighting the particular "organic" and "holistic" agencies that these adopt during their perception. Finally, conclusions were drawn on the idea of "perceptual magnetization" presented by the different movements of a "still dance" and of the particular CC.NN. that emerge thanks to the incidence of "the sculptural" in a choreomusical performance.La presente tesis describe y explica el desarrollo y las conclusiones de un tipo de Práctica como Investigación (Practice as Research) en música electroacústica y danza contemporánea, que tuvo por objetivo identificar y entender las “Redes Coreomusicales” (RR.CC.) emergentes en contextos práctico-creativos que consideran los umbrales de silencio e inmovilidad. Si bien se trató de una investigación práctica, para su desarrollo fue necesario abordar tres áreas de estudio teóricas fundamentales. En primer lugar, el de las RR.CC., que surge de la idea de relaciones coreomusicales (Hodgins 1992; Jordan 2000, 2015, 2020) y de las ideas de actantes, agencias y performances provenientes de la Teoría del Actor-Red (Actor-Network Theory). El haber desarrollado esta metodología creemos significa un recurso con potencialidades, de utilidad tanto para el análisis coreomusical como para el trabajo creativo colaborativo de danza y música. Luego, se abordó el fenómeno de los umbrales perceptivos en aquellos sonidos que lindan con el silencio para la creación de una “música silenciosa”, destacando especialmente el trabajo con una “música infrasónica”. En tercer lugar, se estudió el fenómeno de los umbrales perceptivos de los movimientos cercanos a la inmovilidad, para la creación de una “danza inmóvil”. Los resultados generaron conocimientos respecto a las características de la atención compartida, en particular, cuando ocurre mediante lo que denominamos como “umbral coreomusical”. También respecto a las características móviles de lo sonoro y las características sonoras del movimiento en los umbrales perceptivos, destacando las particulares agencias “orgánicas” y “holísticas" que adoptan estas durante su percepción. Finalmente, se sacaron conclusiones sobre la idea de la “imantación perceptual” que presentan los distintos movimientos de una “danza inmóvil”, y de las particulares RR.CC. que emergen gracias a la incidencia de “lo escultórico” en una performance coreomusical.21170068https://hdl.handle.net/10533/42568instname: Conicytreponame: Repositorio Digital RI2.0info:eu-repo/semantics/dataset/hdl.handle.net/10533/93488https://repositorio.uc.cl/handle/11534/63648info:eu-repo/semantics/openAccessAttribution-NonCommercial-NoDerivs 3.0 Chilehttp://creativecommons.org/licenses/by-nc-nd/3.0/cl/HumanidadesArte (Artes, Historia del Arte, Artes Escénicas, Música)Artes de la Representación (musicología, teatro, dramaturgía)Tacit : A Practice as Research about Choreomusical Networks on the Thresholds of Silence and ImmobilityTácito : Una Investigación Práctica sobre las Redes Coreomusicales en los Umbrales de Silencio e Inmovilidadinfo:eu-repo/semantics/doctoralThesisinfo:eu-repo/semantics/publishedVersionTesisTesishttps://hdl.handle.net/10533/42568558fb7c2-2dab-432f-a326-dde005104fdbvirtual::79798-1558fb7c2-2dab-432f-a326-dde005104fdbvirtual::79798-1ORIGINALJMCandela_TesisDrFinal_postCT_ ...application/octet-stream12103845https://repositorio.anid.cl/bitstreams/f62e3def-aa42-4756-8d59-3fd85557d98a/downloadb8bf9f9af5074ee2b827473f7d861200MD5110533/42568oai:repositorio.anid.cl:10533/425682024-01-17 16:11:38.413http://creativecommons.org/licenses/by-nc-nd/3.0/cl/info:eu-repo/semantics/openAccesshttps://repositorio.anid.clRepositorio ANIDaletelier@anid.cl |
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15,811543 |